Simultaneously inside and outside by either choice or circumstance, punk has always had paradoxical – sometimes hostile – relations with TV, radio, and the internet.
Do you look “real” in virtual space? Such existential questions are central to ‘The Extreme Self’, which explores identity in our digital world.
If food has always been political, as Bon Appétit asserts—so, too, has performance style. It is overdue for food media creators to wake up and smell the coffee.
Just as big tech leads world in data for profit, the US government can produce data for the public good, sans the bureaucracy. This excerpt of Julia Lane's Democratizing Our Data: A Manifesto will whet your appetite for disruptive change in data management, which is critical for democracy's survival.
Kenneth Goldsmith's Duchamp Is My Lawyer, a tale of the creation and upkeep of the anti-internet internet, UbuWeb, is highly engaging and avoids the risk of ploughing down theoretical wormholes of limited interest.
Scattered throughout the world, members of Opera North's orchestra share how they are enduring the loss of live performance and companionship during the COVID-19 lockdown. They also share a mood-lifting, online isolation performance of a work that everyone knows but not always for the same reasons.