Fandom, powered by nostalgia, is gigantic, uncloseted and, unfortunately, argumentative. It's so powerful it has driven creators away from their creations. How do we control that rabid drive to "own" someone else's works?
Just as big tech leads world in data for profit, the US government can produce data for the public good, sans the bureaucracy. This excerpt of Julia Lane's Democratizing Our Data: A Manifesto will whet your appetite for disruptive change in data management, which is critical for democracy's survival.
Kenneth Goldsmith's Duchamp Is My Lawyer, a tale of the creation and upkeep of the anti-internet internet, UbuWeb, is highly engaging and avoids the risk of ploughing down theoretical wormholes of limited interest.
Infodemics, conspiracies -- fault lines beneath the Fractured States of America tremble in this time of global pandemic, amplify splinters, fractures, and fissures past and present.
Scattered throughout the world, members of Opera North's orchestra share how they are enduring the loss of live performance and companionship during the COVID-19 lockdown. They also share a mood-lifting, online isolation performance of a work that everyone knows but not always for the same reasons.
Anna Wiener's Silicon Valley memoir, Uncanny Valley, reveals a piratical industry choking on its own hubris and blind to the cost of its destruction.