The Comet Is Coming Are Developing New Musical Genres
The Comet Is Coming’s sound is hard to define (psychedelic rave jazz?), landing them on confusing festival lineups. They couldn’t be happier about it.
The Comet Is Coming’s sound is hard to define (psychedelic rave jazz?), landing them on confusing festival lineups. They couldn’t be happier about it.
Singer Catherine Russell is one of the best voices in the world, whether she is backing up international acts like Steely Dan or touring with her small band.
DJ Sun discusses how he started DJing, his process for making albums, sampling 1970s porn records, and recording an LP about discovering his Chinese heritage.
The Dardenne Brothers, Jean-Pierre and Luc discuss moving beyond the label of “unaccompanied immigrant” in their humanist immigration drama, Tori and Lokita.
Video game designer Nicholas O’Brien creates and curates in a medium starving for critical conversation.
Country music’s Jessica Willis Fisher discusses her new memoir Unspeakable: Surviving My Childhood and Finding My Voice and the process of healing trauma.
Mexican pop-rock and folk singer-songwriter Natalia Lafourcade releases her first album of original songs in seven years and tells PopMatters all about it.
Tom Waits splashes about in his “puddle of consciousness”, testing Michael Goldberg’s sense of humor in this interview excerpted from Goldberg’s new book, Addicted to Noise.
John Oates of Hall & Oates talks about “Pushin’ a Rock” and his other new music, men’s health charity work with Movember, and the film Gringa
Director Santiago Mitre discusses how his fear for democracies worldwide motivated him to dramatise the Trial of the Juntas in the courtroom drama Argentina, 1985.
From releasing films as a band to using Brian Eno’s card deck to help guide the sound of their epic new double-LP, the Orielles remain as indescribable as ever.