
The Waterboys’ Mike Scott Hasn’t Yet Done His Last Jam
With the release of a box set that expands upon the Waterboys’ most iconic album, frontman Mike Scott reflects as much as he continues to propel forward.

With the release of a box set that expands upon the Waterboys’ most iconic album, frontman Mike Scott reflects as much as he continues to propel forward.

Like a gem dropped into a flute of champagne, Lily Lane never truly dissolved into her effervescent surroundings in Los Angeles, moving to New York.

TV on the Radio’s sophomore release, Return to Cookie Mountain, is a savage critique of Republican regimes that retains an unnerving relevance.

Having lived in multiple countries, Julieta Venegas discusses taking her audience on a journey into the Norteño music of Tijuana.

Outbreak Festival is the most consistently hailed event in European hardcore. Now, four years into that title, how can it possibly live up to the hype?

Much of June’s best electronic music reflects the long days and sultry nights of early summer, becoming a kind of elevated new age/ambient hybrid.

We scoured the planet to find some of the best albums of 2026. As usual, our gaze is cast across many different styles, but some our very favorites mash-up genres.

Call it the Reverse Eno: beloved ambient-chill guy CFCF finds glam-pop success, but refuses to sell out his emotions along the way.

The annual Memorial Day weekend festival BottleRock Napa Valley triumphs again, with arguably the most diverse lineup of any major festival in America.

In June’s best metal, Warning return to full doom metal gloom, Brånd’s reach extends their outsider post-punk, and Thy Killing Hand produce a primal, pre-human ritual.

Performance artist-turned-punk Gregg Deal of Dead Pioneers talks about his band’s new record and opening for Pearl Jam.

Listening to Orange Twin Field Works Vol. 1 today – not as ethnography but as a fully realized composition – Jeff Mangum’s pre-Bulgaria sensibility appears.