
Music of the Message Boards: Ninajirachi and Internet Culture
Ninajirachi’s I Love My Computer is more than nostalgia for the old internet: it’s a showcase of digital-native storytelling about the online culture that shaped her identity.

In September’s best metal, Godflesh dream dystopian industrial structures, Epitaphe connect death metal styles, and Archgoat carry on their death/black tradition.

With more than 200 artists and 300 events across Nashville, AmericanaFest showcases a genre expanding its reach while holding fast to its outsider identity.

Before his unexpected rise to pop stardom as Scatman John, John Larkin spent years working as a fierce, volatile jazz pianist, crossing paths with some legendary names in the genre.

Many decades after their commercial peak, Edie Brickell and Matt Chamberlain circle around new creative realms while looking back on their ascent.

When popular music was still confined to parlor etiquette and artificial formulas, the Rolling Stones chose sweat, volume, and an uncontrollably explosive, bodily Dionysian spirit on stage.

Concertgoers were blessed to hear Gregory Alan Isakov’s intricate arrangements in Red Rocks’ amazing setting, with lovely weather.

Ten years ago, Casey released Love Is Not Enough. It fused furious hardcore with atmospherics, dynamic structures and singing. It was all in aid of its sorrow.

These ten books are not a poptimist syllabus, but they represent some of the best music writing of the 21st century on pop music.

Yes, Deadheads came for the music, but also for the possibility of a life outside the bounds of straight society; something vaguely criminal and very American noir.

An exhilarating Friday featuring Wet Leg, Sierra Ferrell, Geese, Turnstile and Charli XCX brings rock back to San Francisco’s Outside Lands Festival in a big way.

Emo Revival author Andrew Sacher discusses the importance of the 2010s emo explosion in his new scene history, which is a must-read.