What Wilco’s ‘Yankee Hotel Foxtrot’ Got Right About Music Streaming
Wilco’s net-streaming experiment with Yankee Hotel Foxtrot was part of the utopian promise for technology’s future, and it worked.
Wilco’s net-streaming experiment with Yankee Hotel Foxtrot was part of the utopian promise for technology’s future, and it worked.
Forty-five years after Elvis Costello’s Armed Forces first arrived in record stores, its commentary on fascism is extremely relevant to today’s politics.
Weeks after his 50th birthday, Guy Garvey talks about Elbow’s electric new album, their wildest since their 2008 breakthrough The Seldom Seen Kid.
In March’s best metal, Coffins and Slimelord define death/doom glory, Misotheist find beauty in raw black metal ugliness, and Prisoner attack the senses.
This month’s best ambient/experimental releases yielded enough sublime music to send you drifting into transcendence for many moons to come.
PopMatters has scoured the musical spectrum for the best examples of protest songs, including anthems of great popularity and obscurity that resonate today.
PopMatters presents the best new jazz recordings from the winter of 2024 and reflects on the relationship of the Grammys to jazz.
After breaking through with a lockdown-inspired set of songs, the Ratboys’ “post-country” stylings find a new audience, opening for the Decemberists.
Instigation Festival encourages musicians to indulge freely in improvisational collaborations and experience the joy between timid flirtation and fiery collision.
Queen’s 1974 sophomore album, Queen II is an overlooked progressive rock masterpiece that predicted so much of their later work. It’s also still enormous fun.
Madvillain’s Madvillainy remains an unforgettable underground hip-hop album, combining Madlib’s distinctive beats with MF DOOM’s precisely designed rhymes.
Oasis kept putting out singles all throughout their career, spawning some pretty memorable B-side tracks. Here are ten of their best.