
Guided by Voices’ Latest Continues Their Hot Streak
Indie rock institution Guided by Voices’ Crawlspace of the Pantheon is another winning chapter in a late-career run of high-quality releases.

Indie rock institution Guided by Voices’ Crawlspace of the Pantheon is another winning chapter in a late-career run of high-quality releases.

Alexander Noice creates layers of sound and interlocking melodies, blending jazz, improvisation, and tightly wound compositional lines, with modern technology.

Bebe Rexha has returned to the dance-oriented lane that has historically granted her the most commercial success, and the result lacks cohesion.

There’s a wonderfully guileless quality to the softness of Nana Osei Twum Barima’s steady voice that makes this album all the more touching in addition to its loveliness.

These 1970s jazz albums can generally be described as “post-bop” and were made during the mid-to-late 1970s, with top-notch sonic quality for live recordings.

By stepping back from his relentless touring schedule and living in the here and now, DJ Seinfeld has crafted a mature and profoundly moving piece of work.

Life is but a dream, and the dream has a life of its own. We wake up only when we sleep. Tucker Zimmerman’s final opus offers a lullaby of love.

This is a well-fleshed-out picture of how UK and Irish folk revival artists of the 1960s drew from and inspired their more widely recognized North American counterparts.

While it includes some fresh autobiographical details, Niall Horan’s Dinner Party is a rehash of boy band tropes.

Days of Ash and Easter Lily are the sound of U2 being their authentic selves in their best gatherings of songs since Achtung Baby.

What’s so striking about Ruth Garbus and her latest record is how musically adventurous, wondrous and revelatory it is in its maturity and self-acceptance.

There is a beautifully down-to-earth aspect to Horse Lords’ new LP and they are confident in their signature sound while still finding ways to keep it fresh and unique.