
The Bird Calls Offer an Uncommonly Beautiful Take on Indie Folk
The Bird Calls have crafted yet another album combining sterling songwriting with exquisite musical arrangements. It’s Sam Sodomsky’s best work yet.

The Bird Calls have crafted yet another album combining sterling songwriting with exquisite musical arrangements. It’s Sam Sodomsky’s best work yet.

Tess Clare’s debut album, Diva 98, is made by someone who decided she had waited long enough and mostly proves she was right.

With Filter, Bayonne demonstrates how the lushness of adult pop can coexist with the modular logic of modern bedroom production.

Tedeschi Trucks Band take the audience on a ride to spiritual freedom, with a cathartic feeling woven throughout the show at Berkeley’s Greek Theater.

LOVE is the first album credited to Dexys Midnight Runners since 1985, an apposite gesture since the themes and undertones link back to Don’t Stand Me Down.

Ruthie Foster’s new LP succeeds because its optimism is carried by a voice that remains one of the most expressive instruments in contemporary roots music today.

Nicola Miller’s SPIT! is a fun, exciting, boundary-smashing jazz experiment among five deeply talented musicians with an uncommon gift for musical telepathy.

Pure Ecstasy‘s highlight is Shomo’s undeniable talent for pop songwriting; however, it also pushes Beartooth’s heaviness into new directions.

The Jayhawks’ new LP veers too far into familiar classic rock territory but, as a player in the Americana scene, remind us how great they have always been and still can be.

Rhombus is a strong album, and its choice of repertoire makes it unusually interesting to revisit multiple times. May the organ trio format live on!

Garage Flower saw viral success when their then-unreleased single was dubbed “indie poo”. Now it’s clear, it is more than Oasis worship.

Laura Fisher’s new LP is a forward-thinking, futuristic journey that looks straight ahead while also evoking past musical trailblazers.