
The Jazz Organ Trio Lives on Thanks to Larry Goldings et al.
Rhombus is a strong album, and its choice of repertoire makes it unusually interesting to revisit multiple times. May the organ trio format live on!

Rhombus is a strong album, and its choice of repertoire makes it unusually interesting to revisit multiple times. May the organ trio format live on!

Garage Flower saw viral success when their then-unreleased single was dubbed “indie poo”. Now it’s clear, it is more than Oasis worship.

Laura Fisher’s new LP is a forward-thinking, futuristic journey that looks straight ahead while also evoking past musical trailblazers.

Overmono’s new LP feels like a step forward as they push into new directions, crafting expansive dance music that retains a deep sense of humanity.

Strange Light explores many permutations of mostly English and American folk, rock, and pop, laced with modes, rhythms, and philosophies derived from the “East”.

Tönky Hönk bring an oddly comforting warmth, along with a healthy dose of idiosyncrasies, to modern, keyboard-based instrumental music.

Brandon Flowers’ melodies are largely airy, ebullient, even life-affirming. Articulating the troubles we face, he also, and perhaps ultimately, pays homage to our resilience.

The Durutti Column’s Renascent is a superb snapshot of their late period, with sounds and textures creating gorgeous soundscapes.

Ghost Hounds’ rocking new LP, Justified, should please Rolling Stones fans. It even includes a blistering cover of their classic “Gimme Shelter”.

Two albums called Stubborn later, the Nigerian Afrobeats singer Victony stops explaining himself and starts enjoying the view on STARLIFE.

King Gizzard & the Lizard Wizard offer a sci-fi rave that veers between an ominous soundtrack warning of impending doom and a cathartic path toward salvation.

Joan As Police Woman revisits her 2009 debut Real Life with warm, retro-modern arrangements, showcasing her skill as a songwriter and producer.