On "Fell Into the Ocean", Baltimore electropop producer Dan Deacon teaches us that you can make anything a fortune cookie if you try hard enough.
Marvin Gaye and Tammi Terrell re-imagined for 2020. SZA does most of the heavy lifting here, while Justin Timberlake busts a selection of moves in a charmingly self-deprecating way.
"Come Get Me" sounds a little like early-period Shins with its herky-jerky vocal melody that Stephen Malkmus isn't afraid to run into the ground, not to mention an arrangement that just barely exists on the good side of modern indie cliché.
Icelandic electropop trio, Vök's "Erase You" is a testament to strength although it's not outwardly apparent. It expresses emotional mutability and the ultimate belief that strength can be derived from subjection.
Here we are in 2019, and Matmos is still producing sounds that just don't fit comfortably into any electronic subgenre currently available for classification.