Just as Disney's Frozen appeared to deliver a message of 21st century girl power, Hamilton hypnotizes audiences with its rhyming hymn to American exceptionalism.
Scattered throughout the world, members of Opera North's orchestra share how they are enduring the loss of live performance and companionship during the COVID-19 lockdown. They also share a mood-lifting, online isolation performance of a work that everyone knows but not always for the same reasons.
Some might think that the influence of politics and economics in a censored art world might harm Chinese artist Cao Fei's efforts to provide real critique.
Béla Tarr's work has always been rich with deep humanistic concern, but his post-cinematic projects have taken a more actively ethical stance, as experienced in Missing People.
An accomplished cast ignite Marianne Elliott and Miranda Cromwell's compelling production of Arthur Miller's classic, Death of a Salesman, but does making the Lomans a black family enhance Miller's intentions?
Daniel Rosenthal's illuminating collection in Dramatic Exchanges brings together some of the letters, postcards, telegrams, and emails exchanged by actors, playwrights, directors and other creatives involved in the National Theatre's story.
In an apparent attempt to generate understanding and contextuality in film history, David Thomson only ends up perpetuating myths and stigmas against homosexuals in his latest, Sleeping with Strangers.
How do we measure the status of a performer's Holy Grail like the Apollo Theater in 2019? Ted Fox and James Otis Smith's beautifully realized, updated graphic history brings this rich history to life.
Winner of the coveted Carol Tambor Best of Edinburgh Award in 2018, Ulster American is primed to contribute to societal narratives while lampooning contemporary injustices.
Making Troy Great Again: On Shakespeare’s ‘Troilus and Cressida’ and Trump’s Ugly Political Rhetoric
The Trump presidency is Shakespeare's Troilus and Cressida made real – only it's stripped of the mythology and just lying bare and ugly for all to see.