Joy Oladokun Offers Healing Hymns For Fraught Times in ‘Proof of Life’
Joy Oladokun’s Proof of Life attempts to connect with others struggling, hanging in, and moving forward, an invitation traversing musical genres in its call.
Reviews
Doug Levitt Rides the Bus to the ‘Edge of Everywhere’
Doug Levitt is a journalist with a guitar, and Edge of Everywhere tells the tales of his 12 years and 120,000 miles riding the Greyhound bus all over America.
I Dream of Wires: Richard Evans’ ‘Listening to the Music the Machines Make’
Electropop history Listening to the Music the Machines Make comprehensively and at times humorously zeros in on five critical years in UK music.
RP Boo’s ‘Legacy Volume 2’ Reminds of Chicago Footwork’s Radical Origins
Anyone coming to RP Boo or footwork in general via this release needs to be prepared to have their bones rearranged and their senses overloaded.
Fatoumata Diawara Creates African Pop-Soul From the Diaspora
On her strongest album yet, London Ko, Fatoumata Diawara demonstrates how music from today’s African diaspora can be “Everything Everywhere All at Once”.
Dave Scanlon’s ‘Taste Like Labor’ Is Quietly Intense
Dave Scanlon’s Taste Like Labor straddles a line between dark folk and fractured indie pop on his first solo album in more than two years.
Arlo Parks Navigates the Sophomore Slump with ‘My Soft Machine’
Though buoyed by Arlo Parks’ resilience and desire for authentic union with a partner, My Soft Machine is over reliant on predictable sonics and vague melodies.
Ervin Omsk Unleashes the Deeply Odd ‘Schmalster Point’
Ervin Omsk’s Schmalster Point is deeply odd, emotionally moving, and sonically rich such that it suits anyone who revels in richly rewarding experimental music.
Taylor Swift Brings Epic Eras Tour to Hometown Stadium
Taylor Swift is at a high mark in her career as she gives it all during the impeccable Eras Tour shows, stadium after stadium.
The Dare’s ‘The Sex EP’ Wants You to Have a Really Good Time
The Dare’s mission is urgent, as simple as breathing. Have a good time – a stupid good time – like your life depends on it. Because it literally does.
Kesha’s ‘Gag Order’ Is an Artistic Cry for Help
Is Kesha’s new experimental art-pop record, Gag Order, a cautionary tale? A cry for help? A cathartic release? Most likely, it’s all of the above.
Gregory Uhlmann’s ‘Again and Again’ Is Quirky, Sophisticated Pop
Again and Again sees Gregory Uhlmann in a constant state of growth and maturity, finding ways to put it all into a coherent, beautiful artistic statement.
