
Motel Destino’s Heat and Architecture of Desire
Karim Aïnouz’s films portray characters in states of displacement. In Motel Destino, that displacement becomes spatially literal.
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Karim Aïnouz’s films portray characters in states of displacement. In Motel Destino, that displacement becomes spatially literal.

Rather than rescuing a forgotten figure, Cosmic Music enlarges the frame through which Alice Coltrane is seen.

Morrissey’s Make-Up Is a Lie is a love letter to Paris: schmaltzy, befuddling, arresting, but, most of all, HIM.

Everybody ought to dive into the wild, eclectic, joyful zydeco of Clifton Chenier. Even the accordion averse might decide they love it.

The Lowest Pair’s new record is steady and confident. It sounds like both a journey and its end point, and in finding peace within turbulent seas.

Brian Eno and Bette A. are on the same aesthetic page with Slow Stories, wherein the two form a kind of high-concept ASMR experience.

The Messthetics and James Brandon Lewis make fearless and non-smooth fusion with the clarity and dynamism of “post-hardcore” that wasn’t around in the 1970s.

Glorious gloom permeates the musical catalogue of Swedish singer-songwriter Fågelle, and her album Bränn min jord overflows with it.

Connor Armbruster is not only a brilliant musician but a refreshingly restless one Half My House is a unique and tuneful spin on traditional Irish music

Andy Beta’s Alice Coltrane biography, Cosmic Music, is an excellent work about this forward-thinking and often misunderstood musician.

On her eighth album, Nothing’s About to Happen to Me, singer-songwriter Mitski employs a country-folk sound to reflect the peace found in isolation.

Shane Parish thrives on conceiving projects that seem contradictory and overly challenging, yet come off as effortless and innovative.