
Mavis Staples Comforts and Galvanizes in Pennsylvania
Legendary soul singer Mavis Staples draws on classics, old and new, to deliver her own State of the Union address. Her message is more relevant and urgent than ever.
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Legendary soul singer Mavis Staples draws on classics, old and new, to deliver her own State of the Union address. Her message is more relevant and urgent than ever.

Whatever flavor of electro music you prefer, you’re likely to find something among the best electronic music of February 2026.

This is a big year for Cyril Neville and King Youngblood, a bonus for music fans who appreciate artists who use their talents to speak out and inspire social change.
Tōth’s And the Voice Said refines his knack for balancing introspection, pop warmth, and unresolved inner tension.

Watterson Hall offers a glimpse into the mythical Texas that many consider their rightful heritage. William Clark Green personifies a good ol’ boy without stereotypes.

Jackie West grows from her immensely satisfying debut album into a follow-up that sees her taking chances while writing beautiful, emotionally striking music.

Squeeze were always ambitious, although never at the expense of fun. Trixies is imaginative, impressive, and most importantly, fun.

Meg Okura creates a unique musical blend, and her new album with the Pan Asian Chamber Jazz Ensemble, Isaiah, is ambitious and lushly accessible.

Based on the best tracks on this new synth pop collection, 1979 was a time that drew equally from traditionalist pop songcraft and new musical technology.

If Love Is Not Enough announces anything, it’s a return to the stark architecture and the blunt-force grammar Converge helped codify.

Over crafted, textured synths, palpitating rhythms and intricate soundscapes, Felsmann + Tiley’s music sounds jaw-droppingly expansive.

Jazz trio the Setting have brought to fruition Eivind Opsvik’s love of 1970s and 1980s synthesizer music, ECM solo guitar albums, and experimental art pop.