Between the Grooves celebrates Led Zeppelin’s Houses of the Holy by examining how the band were at their best on the underrated post-Zoso masterwork.
Slint are sounding even better as the long years go on and on. It's a testament to the source material that we're still revisiting, remixing, and re-releasing all these decades later.
Blanck Mass traverses an In Ferneaux of personal hardship, COVID-affected deaths, and more with the help of a complete stranger’s wisdom.
The idea that we work because we want to, not because we need to, is a pernicious one that labor journalist Sarah Jaffe dissects in Work Won’t Love You Back.
Fear of unseen powers causing public tragedies was so widespread in 1974 America that filmmakers knew audiences would believe the corporate murder machine of The Parallax View.
As an innovative musician who grew up in Nashville before making a name for herself in Atlanta, K Michelle DuBois changes with the times while exploring other unconventional ways to write and record The Fever Returns.
Longtime Winterpills member Philip B. Price steps out with a masterful new solo release that taps into the zeitgeist without being defined by it.
Medicine at Midnight finds Foo Fighters flirting with danceable rhythms and pop melodies. It's a fun album but might be polarizing just the same.
Wynton Marsalis is one of the most prolific instrumentalists of the last 40 years. A virtuoso in both jazz and Western classical music, he has recorded as many as 75 times as a leader.
Career suicide albums fall into two camps: those that were released ahead of their time, and those that set new standards in awful. The best thing that could be said about the later category is that these albums are oftentimes just as fascinating as an artist's best work.
Adapting Larry Watson's novel, director Thomas Bezucha sets the quest of a retired sheriff and his wife to the era of American society's fall from grace.
With touches of reggae upstrokes and even Tropicalia, Good Bison's debut EP is positively sun-splashed, lending Pablo Alvarez's various crises and neuroses a slight touch of irony, even satire.
