Shane Warne Biopic ‘Warnie’ Is Not Quite Scorsese-Like
Although it imitates some Scorsese methods, rather than giving us an insight into the real Shane Warne, Warnie instead gives us a series of showreels of the controversies in his life.
Although it imitates some Scorsese methods, rather than giving us an insight into the real Shane Warne, Warnie instead gives us a series of showreels of the controversies in his life.
The Crowded Room tries to be a psychological drama, a coming-of-age story, and a law procedural culminating in courtroom maneuvers and meltdowns – all angles that crowd its premise.
You’ve heard about them, seen snippets from them, and wondered about them: The Top 10 Forgotten TV Sitcoms You Wish You Had Seen.
Ken Burns talks about his forthcoming PBS documentary The American Buffalo, the near extinction of the majestic beasts, and their respectful return to their rightful homeland.
Ted Lasso‘s frequent allusion to the Wizard of Oz shows its guiding principle of selflessness triumphs, no matter the score in the end.
We dive into ‘Ted Lasso’ to see where the beloved AFC Richmond gaffer won and lost. Episodes were judged by their cohesion, heart, humor, and message.
Scott Z. Burns’ audacious if dramatically uneven climate-change Apple TV+ series shows that while the Earth will change radically, people will not.
Combining conspiracy thriller, dystopian nightmare, and science fiction, Silo succeeds in predicting a grim future for humans but good outlooks for Apple TV+.
HBO’s satirical miniseries on the Watergate affair, White House Plumbers, entertains but struggles to find emotional and political footing.
WWE’s Vincent McMahon has brazenly failed upward over and over again, profoundly impacting (and damaging) American culture along the way, argues Abraham Riesman in the biography Ringmaster.
The comedy series Detectorists turns a humble hobby into a humorous meditation on Englishness that even Thomas Hardy would enjoy.
The final season of Barry irreparably breaks the mold of the tragicomedy genre and unflinchingly severs the umbilical cord between the audience and the protagonist(s).