CMJ 2007: Day 1 Feat. Voxtrot, the Rosebuds, and the Most Serene Republic
The summer stickiness has pretty much dissipated (though nothing can completely kill the subway’s trademark stink), and All Hallows Eve is all but upon us. So, you know what that means: it's CMJ TIME!!!! That's right, the industry conference to dwarf all other music industry conferences kicked off in New York City yesterday and will continue through the weekend, hosting hundreds upon hundreds of newbies, up-and-comers, and soon-to-be superstars. As always, PopMatters' Events crew is out in force, chronicling every inspired solo and dutifully noting every errant riff. While you're waiting for our extensive breakdown of the conference’s best (and worst) performances, how about a few snapshots from the middle of the mayhem? Check back tomorrow for more photos courtesy of our friends at Flavorpill...
Press and fans from around the planet descended on the Lower East Side of Manhattan to gather their CMJ badges, stock up on free swag, and play Halo 3. People recovering from hangovers and jet lag were comforted by some afternoon-friendly indie pop and classically influenced cover tunes. The coy, unassuming sound of Takka Takka started things off, followed by the cutesy boy-girl vocals and organ-tinged rock of Saturday Looks Good to Me -- leaving us early birds yearning for the Festival's proper beginning later on at night. Also performing the afternoon show was rock and roll violin group the Section Quartet and acoustic folk chanteuse Jennifer O'Connor. A great way to start things off before we head to L'Asso for $1 pizza, as CMJ 2007 prepares to launch tonight with Bouncing Souls, Voxtrot, Q-Tip, and many, many more.
-- Joe Tacopino
Venue-Hopping at the CMJ Festival
Before we were off to see Austin's Voxtrot, with young Canadian sensations the Most Serene Republic and Dean and Britta (who sound like a more mellow Thurston and Kim), there were a host of shows just south of Houston street where venue-hopping at CMJ is at its best. At Arlene's Grocery, the Swedish synth-pop band Mixtapes and Cellmates took time in between their Postal Service-like tunes to pay homage to Baywatch heart throbs David Hasselhoff and Pamela Anderson. Just around the corner at Pianos, Benji Cossa and Rocketship Park gave us some pedal steel-inspired country rock before we headed into the dungeon-like space at Fat Baby, where Centipede E'est whipped the crowd into a frenzy with their psychedelic stoner rock. Finally, at the aptly titled Living Room, the band Clint, Michigan, playing with delicate vocalist Amy Bezunartea, lulled the crowd with their banjos, fiddles, and mandolins.
-- Joe Tacopino