Mark Reynolds, a PopMatters contributor since 2004, writes cultural criticism, reviews and essays from the intersection of history, race and culture.
Mark began his journalism career in 1986 in his native Cleveland as a talk show host and news reporter for NPR affiliate WCPN-FM. From 1992 to 1998, he covered politics, education, local history, music, literature and film for the alternative newspaper Cleveland Free Times. He also freelanced for several Cleveland publications, including the daily Plain Dealer and alt-weekly Scene. His March 2003 Urban Dialect essay about his experiences in the alternative newspaper industry received statewide first-place honors for best media criticism from the Ohio Society of Professional Journalists. Other credits include periods as a regular contributor to the trade magazine Black Meetings and Tourism, the weekly newspaper Philadelphia Tribune, and the entertainment magazine Hear/Say.
Concurrent with his journalism work, Mark spent 31 years with the U.S. Postal Service, mostly in corporate communications. From 1997 to 2003, he was the public relations representative for the Postal Service in Cleveland. He relocated to Philadelphia in 2004 to launch a monthly video newsletter for Postal Service employees in the Philadelphia region. In 2006, he moved to Chicago to serve as the district's corporate communications representative. Mark retired from the Postal Service in 2016 to accept a position at Antioch College (his alma mater) as Director of Marketing & Communications.
Mark's essay on Yellow Springs, OH will be included in the forthcoming Belt Publishing anthology "Blue City, Red State," to be published in 2018
Mark lives and works in Chicago, which is a pretty good place to pursue his particular beat. Wherever he roams in the world, Mark carries love for his wife and daughter, books he plans to read someday, and endless hope for Cleveland's confounding sports teams.
Flippancy of postmodern rhetorical parkour (iƒ.e., “jargon"), when wielded indiscriminately, draws boundaries between the insiders who know it and the outsiders who don't.