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There were many hit cover versions in the '80s, some of well-known originals, and some that fans may be surprised are covers.
In turning the camera on himself, even in his most vulnerable moments as a sick and dying man, filmmaker and activist Marlon Riggs demonstrated the futility of divorcing the personal from the political. These films are available now on OVID TV.
John Lennon helped transform the art and image of the pop star. His very public political activism and socially and politically aware lyrics have earned him a prominent place in the creative and political history of rock.
Like The Contender's Laine Hanson 20 years prior, US Democratic Party Vice-President choice, Kamala Harris, cuts the oxygen feeding the US political climate's raging sexism.
Enjoy this excerpt of Wild Things: The Disorder of Desire, wherein Jack Halberstam offers an alternative history of sexuality by tracing the ways in which wildness has been associated with queerness and queer bodies throughout the 20th century.
Matt Brim's Poor Queer Studies underscores the impact of poorer disciplines and institutions, which often do more to translate and apply transformative intellectual ideas in the world than do their ivory-tower counterparts.
With the fall of the Berlin Wall came the licence to take a wrecking ball to its nightmare of repression. But there began the unwritten violence of Die Wende, the peaceful revolution that hides the Oedipal violence of one order killing another.
Wolf Parade's debut, Apologies to the Queen Mary, is an indie rock classic. It's a testament to how creative, vital, and exciting the indie rock scene felt in the 2000s.
"[Pandemic lockdown] has been a detriment to many people's mental health," notes Nat Puff (aka Left at London) around her incendiary, politically-charged new album, "but goddamn it if I haven't been making some bops here and there!"
Anti-intellectualism in America is, sadly, older than the nation itself. A new collection of Richard Hofstadter's work from Library of America traces the history of ideas and cultural currents in American society and politics.
Just as big tech leads world in data for profit, the US government can produce data for the public good, sans the bureaucracy. This excerpt of Julia Lane's Democratizing Our Data: A Manifesto will whet your appetite for disruptive change in data management, which is critical for democracy's survival.
Telling the tale of the cyclops through the lens of high and low culture, in O'Brother, Where Art Thou? the Coens hammer home a fatalistic criticism about the ways that commerce, violence, and cosmetic Christianity prevail in American society .
In this excerpt of Black in the Middle, PopMatters' Mark Reynolds compares the nearly identical racial divides in his cities, Cleveland and Chicago, that to this day are stubbornly entrenched.
Spider-Man: Far From Home ties up the themes of deception and Trump-era media manipulation and it ensures that the next Spider-Man film will be completely different from anything that came before.
Shortly after the reactor explosion in Chernobyl in 1986, officials in Belarus offered up an argument that will be hauntingly familiar to those tracking the spread of COVID-19.
Jonathan M. Berman's Anti-vaxxers, argues that anti-vaccination activism is tied closely to how people see themselves as parents and community members. Effective pro-vaccination efforts should emphasize these cultural aspects.
Kenneth Goldsmith's Duchamp Is My Lawyer, a tale of the creation and upkeep of the anti-internet internet, UbuWeb, is highly engaging and avoids the risk of ploughing down theoretical wormholes of limited interest.
Beyond NWA and Public Enemy: rappers have been sounding the alarm about police brutality since the birth of hip-hop.
The fight to legalize gay marriage is a story the Left must cherish, a tale of systemic justice in an era of burgeoning oppression, a refreshed vision for a time that needs a refreshed "public dream" for change.
Wouldn't it be funny if Beetle Bailey spent his time describing his Harry Potter fanfiction to Sarge, or if Blondie's Dagwood spoke like an alienated Beckett character about godlessness and ennui while he assembled an overstuffed sandwich?