Viewing Aretha Franklin's work through a focus on race, gender, and other categories of analysis can challenge us to do the same with all music, acknowledging how multiple points of oppression and privilege impact the production, consumption, and reception of a wide range of music.
In Rule Makes, Rule Breakers, Michele Gelfand gives many examples — both historical and contemporary — to prove how the customs that have shaped worldviews, behaviors, identities, and personal lives in any particular culture have originated from underlying perceptions of threat.
Hillbilly provides a cogent analysis of the connection between the United States' cultural supremacy over its own Appalachian region, and the nation's resultant economic and political exploitation of it.
The Beatles' White Album has been credited with a lot of things over its 50-year history, but how about as the single biggest influence on US alternative rock as it burst into the mainstream in the late '80s and early '90s? Well, it's not as crazy as you might think.