Dirty Projectors - "Cool Your Heart (feat. D∆WN)" (Singles Going Steady)

D∆WN sounds as smooth and rich as she ever has, and David Longstreth brings his ever-sincere emotion to the table.

Adriane Pontecorvo: After last year’s beautiful, tormented single “Keep Your Name”, David Longstreth gives us a more uplifting cut from the Dirty Projectors album on its way later this month. Upbeat as it is, there’s nothing easy listening about “Cool Your Heart”, much to Longstreth’s credit. The production on this track shows painstaking attention to detail, each tropical beat and horn blast placed with care and consideration to balance out shining keys and the vocalists. D∆WN sounds as smooth and rich as she ever has, and Longstreth brings his ever-sincere emotion to the table. It’s that genius percussion break right in the middle that keeps things moving, though, completing a memorable frenzy. [9/10]

Andrew Paschal: This track is either totally brilliant or an overstuffed disaster. Or it may be a little of both. On his previous single "Up in Hudson" David Longstreth told us that he had been listening to Kanye West, and it shows with the ambition and/or hubris of "Cool Your Heart". Featuring tropical-glitch production and Dawn Richard's sumptuous vocals, at times their duet feels like two songs sewn loosely into one. All the scrambled electronics are a bit belabored, coming across less as innovation and more as a lack of better ideas. That is a shame, as there are some fine-tuned melodies here that deserve to be the primary focus. In places, though, this unexpected collaboration is the stuff of genius. [7/10]

Chris Ingalls: The complex instrumental machinery creates a wonderfully skittish vibe, and the vocals ground the song and make it a bit more accessible -- not that accessibility is a requirement for Dirty Projectors. DAWN is a great collaborator for these guys. What could have been a cold, soulless exercise in misanthropy turns into a lovely, quirky pop single. [8/10]

Mike Schiller: On one hand, "Cool Your Heart" is immediately accessible in a way that Dirty Projectors don't manage very often. On the other hand, vocalist David Longstreth, who wrote the song with Solange, is completely outdone by his guest. I don't know anything about D∆WN, but she owns the song in a way that makes you wish the other guy wasn't around. The sequence at the end where the beat picks up is fun, but it's too little too late to turn the song into anything but a jumping off point to looking into what else D∆WN has to offer. [5/10]

Steve Horowitz: From the sound of crickets to the sound of crickets, the song takes one from the chirping in one's head to what it feels like to be overwhelmed by one's neurons. The music purposely chills and shifts grooves to suggest one can never be totally in control -- especially in the presence of someone special. The music achieves its modest aims in a pleasant enough manner. It's cool all right, but it could use a little more heart. [7/10]

SCORE: 7.20






Buridan's Ass and the Problem of Free Will in John Sturges' 'The Great Escape'

Escape in John Sturge's The Great Escape is a tactical mission, a way to remain in the war despite having been taken out of it. Free Will is complicated.


The Redemption of Elton John's 'Blue Moves'

Once reviled as bloated and pretentious, Elton John's 1976 album Blue Moves, is one of his masterpieces, argues author Matthew Restall in the latest installment of the 33 1/3 series.


Whitney Take a Master Class on 'Candid'

Although covers albums are usually signs of trouble, Whitney's Candid is a surprisingly inspired release, with a song selection that's eclectic and often obscure.


King Buzzo Continues His Reign with 'Gift of Sacrifice'

King Buzzo's collaboration with Mr. Bungle/Fantômas bassist Trevor Dunn expands the sound of Buzz Osborne's solo oeuvre on Gift of Sacrifice.


Jim O'Rourke's Experimental 'Shutting Down Here' Is Big on Technique

Jim O'Rourke's Shutting Down Here is a fine piece of experimental music with a sure hand leading the way. But it's not pushing this music forward with the same propensity as Luc Ferrari or Derek Bailey.


Laraaji Returns to His First Instrument for 'Sun Piano'

The ability to help the listener achieve a certain elevation is something Laraaji can do, at least to some degree, no matter the instrument.


Kristin Hersh Discusses Her Gutsy New Throwing Muses Album

Kristin Hersh thinks influences are a crutch, and chops are a barrier between artists and their truest expressions. We talk about life, music, the pandemic, dissociation, and the energy that courses not from her but through her when she's at her best.


The 10 Best Fleetwood Mac Solo Albums

Fleetwood Mac are the rare group that feature both a fine discography and a successful series of solo LPs from their many members. Here are ten examples of the latter.


Jamila Woods' "SULA (Paperback)" and Creative Ancestry and Self-Love in the Age of "List" Activism

In Jamila Woods' latest single "SULA (Paperback)", Toni Morrison and her 1973 novel of the same name are not static literary phenomena. They are an artist and artwork as galvanizing and alive as Woods herself.


The Erotic Disruption of the Self in Paul Schrader's 'The Comfort of Strangers'

Paul Schrader's The Comfort of Strangers presents the discomfiting encounter with another —someone like you—and yet entirely unlike you, mysterious to you, unknown and unknowable.


'Can You Spell Urusei Yatsura' Is a Much Needed Burst of Hopefulness in a Desultory Summer

A new compilation online pulls together a generous helping of B-side action from a band deserving of remembrance, Scotland's Urusei Yatsura.


Jess Cornelius Creates Tautly Constructed Snapshots of Life

Former Teeth & Tongue singer-songwriter Jess Cornelius' Distance is an enrapturing collection of punchy garage-rock, delicate folk, and arty synthpop anthems which examine liminal spaces between us.


Sikoryak's 'Constitution Illustrated' Pays Homage to Comics and the Constitution

R. Sikoryak's satirical pairings of comics characters with famous and infamous American historical figures breathes new and sometimes uncomfortable life into the United States' most living document.


South African Folk Master Vusi Mahlasela Honors Home on 'Shebeen Queen'

South African folk master Vusi Mahlasela pays tribute to his home and family with township music on live album, Shebeen Queen.


Planningtorock Is Queering Sound, Challenging Binaries, and Making Infectious Dance Music

Planningtorock emphasizes "queering sound and vision". The music industry has its hierarchies of style, of equipment, of identities. For Jam Rostron, queering music means taking those conventions and deliberately manipulating and subverting them.


'History Gets Ahead of the Story' for Jazz's Cosgrove, Medeski, and Lederer

Jazz drummer Jeff Cosgrove leads brilliant organ player John Medeski and multi-reed master Jeff Lederer through a revelatory recording of songs by William Parker and some just-as-good originals.


A Fresh Look at Free Will and Determinism in Terry Gilliam's '12 Monkeys'

Susanne Kord gets to the heart of the philosophical issues in Terry Gilliam's 1995 time-travel dystopia, 12 Monkeys.


The Devonns' Debut Is a Love Letter to Chicago Soul

Chicago's the Devonns pay tribute the soul heritage of their city with enough personality to not sound just like a replica.

Collapse Expand Reviews

Collapse Expand Features
PM Picks
Collapse Expand Pm Picks

© 1999-2020 All rights reserved.
PopMatters is wholly independent, women-owned and operated.