In a new edition to the sequel to How the Garcia Girls Lost Their Accents, ¡Yo!, Julia Alvarez structures the story of a writer and her voice by allowing everybody but the writer herself to have a voice.
Jazz composer and R&B artist Patrice Rushen talks about how she fought for control of her music and her career in the late 1970s at Elektra -- and produced an extraordinary run of jazz-R&B-disco hybrid albums that the industry wasn't quite ready for.
Equal parts gritty and subtly heartening, tragically jarring and emotionally resonant, Ruchika Tomar's debut A Prayer for Travelers is one of the strangest and most enjoyably wrought coming-of-age stories to appear in recent years.
Rob Marshall's upcoming The Little Mermaid, starring Halle Bailey in the traditionally white character role of Ariel, sure has stirred things up in the sea of social media. Disney-glittered little girls, it seems, see it differently.
Looking upon Virginia Woolf with an immature and childish creative lust, writer/director Chanya Button and co-writer Eileen Atkins reduce her to a bland literary figure in Vita & Virginia, leaving us to remember the contrarian truth.
Eleni Mandell spent two years teaching songwriting to women who were incarcerated. The experience informed the material on her new album, Wake Up Again. "I hoped that the women would leave there some day with one more thing to support them and keep them from getting in trouble again," she says.
One year since the release of Morcheeba's Blaze Away, the band unleash a special edition full of remixes, which leads to questions of how their process works, how some songs got remixes and others didn't, and what the next 20 years of Morcheeba look like.
Chris Schwartz's memoir on founding Ruffhouse Records attempts to be many things but doesn't fully deliver on any of them, making for a conventionally-structured memoir that often reads as slapdash and dry.