Fever Ray - "Mustn't Hurry" (Singles Going Steady)

"Mustn't Hurry" is another excellent Fever Ray song that operates on varied planes of meaning and will thrill devotees while still likely remaining little weird for your average pop fan.

Morgan Y. Evans: "Mustn't Hurry" is another excellent Fever Ray song that operates on varied planes of meaning and will thrill devotees while still likely remaining a little too weird for your average pop fan. That is fine. I would rather have Karin Dreijer examining a speculum in a sort of emotionless haze that scarcely belies the complexity of depth awaiting dutiful students than another performative pop song and video with cliché subjects and imagery. The lyrics of "Mustn't Hurry" could operate as a metaphor for wanting to be seen, loved well, being worth surrendering to or any number of things.

The music and visuals of the video might not be as immediately striking or hypnotic as "When I Grow Up" but you will be left with a growing urge to savor the real connections in your life or the places within yourself that are all your own. That's the thing, you always feel like she is in control even when the imagery has some sub/bondage elements. In "To the Moon and Back" she sort of seemed at first to be disoriented and adjusting more to the Bladerunner-esque environment before participating in the various costumed kink that ensues. Given the eight-year wait between near-perfect albums (and I'm not trying to sound overly crass here), we also know that Andersson is well aware that slow and steady wins the race and that quality and excitement matters over perfunctory quantity. [8/10]

Adriane Pontecorvo: Ghoulish imagery and eerie vocals make up the disquieting "Mustn't Hurry", a Fever Ray joint if there ever was one. As the video loops over and over, the music builds, and the speculum somehow looks more terrifying as time goes on. Halloween never has to end when we have Fever Ray music videos to keep us creeped out. [7/10]

Chris Ingalls: On her second album as Fever Ray (and first since 2009), the Knife's Karen Dreijer churns out more creepy, ominous stuff. "Mustn't Hurry" initially employs a repetitious groove that seems almost maddening, but it eventually builds up to some extent, creating plenty of dimension that adds to the forbidding vibe. Chilling atmosphere, nicely arranged. [7/10]

Tristan Kneschke: The Knife's Karin Dreijer is celebrating her second album Plunge with a set of bizarre videos all revolving around one of the creepiest doppelgängers in recent pop music. Dreijer fondling a speculum with heavily powdered face and blackened eyes is the stuff of pure nightmares. It's hard to believe there wasn't more footage for "Mustn't Hurry", but if her YouTube account is any indication (seven videos uploaded within the last three weeks), perhaps there's still more to come. For a video that lasts through the entire song as opposed to looping several times – not to mention a more cohesive artistic statement overall – check out "To the Moon and Back", which expands Dreijer's legitimately fright-inducing vision. [6/10]

William Nesbitt: I thought this sounded like the Knife both musically and vocally. No wonder since this is Karin Dreijer who was part of the Knife. If you like the Knife, check this out. If you don't like the Knife, check it out anyway. The video features what looks like a retired Joker who has let his hair grow out and now spends his time cross-dressing and exploring or continuing an interest in bondage and medical fetish, though the video only suggests rather than depicts these acts. Maybe Batman is waiting in the next room? [8/10]

Steve Horowitz: Sometimes a heartbeat and a pulse measure the same corporeal elements. Sometimes they don't. Fever Ray uses a throbbing beat to keep things calm but the heart the heart the heart keeps on pounding anyway. Just repeating the phrase "Mustn't Hurry"begs the question of why would one be in a rush anyway. The song purposely obscures what prompts the feeling and insists on calming down listeners as a way of exciting an audience. It works, but only takes one so far. [7/10]

RATING: 7.17





The Dance of Male Forms in Denis' 'Beau travail'

Claire Denis' masterwork of cinematic poetry, Beau travail, is a cinematic ballet that tracks through tone and style the sublimation of violent masculine complexes into the silent convulsions of male angst.


The Cradle's 'Laughing in My Sleep' Is an Off-kilter Reflection of Musical Curiosity

The Cradle's Paco Cathcart has curated a thoughtfully multifarious album. Laughing in My Sleep is an impressive collection of 21 tracks, each unapologetic in their rejection of expectations.


Tobin Sprout Goes Americana on 'Empty Horses'

During the heyday of Guided By Voices, Tobin Sprout wasn't afraid to be absurd amongst all that fuzz. Sprout's new album, Empty Horses, is not the Tobin Sprout we know.


'All In: The Fight for Democracy' Spotlights America's Current Voting Restrictions as Jim Crow 2.0

Featuring an ebullient and combative Stacey Abrams, All In: The Fight for Democracy shows just how determined anti-democratic forces are to ensure that certain groups don't get access to the voting booth.


'Transgender Street Legend Vol. 2' Finds Left at London "At My Peak and Still Rising"

"[Pandemic lockdown] has been a detriment to many people's mental health," notes Nat Puff (aka Left at London) around her incendiary, politically-charged new album, "but goddamn it if I haven't been making some bops here and there!"


Daniel Romano's 'How Ill Thy World Is Ordered' Is His Ninth LP of 2020 and It's Glorious

No, this is isn't a typo. Daniel Romano's How Ill Thy World Is Ordered is his ninth full-length release of 2020, and it's a genre-busting thrill ride.


The Masonic Travelers Offer Stirring Rendition of "Rock My Soul" (premiere)

The Last Shall Be First: the JCR Records Story, Volume 1 captures the sacred soul of Memphis in the 1970s and features a wide range of largely forgotten artists waiting to be rediscovered. Hear the Masonic Travelers "Rock My Soul".


GLVES Creates Mesmerizing Dark Folktronica on "Heal Me"

Australian First Nations singer-songwriter GLVES creates dense, deep, and darkish electropop that mesmerizes with its blend of electronics and native sounds on "Heal Me".


Otis Junior and Dr. Dundiff Tells Us "When It's Sweet" It's So Sweet

Neo-soul singer Otis Junior teams with fellow Kentuckian Dr. Dundiff and his hip-hop beats for the silky, groovy "When It's Sweet".


Lars and the Magic Mountain's "Invincible" Is a Shoegazey, Dreamy Delight (premiere)

Dutch space pop/psychedelic band Lars and the Magic Mountain share the dreamy and gorgeous "Invincible".


What 'O Brother, Where Art Thou?' Gets Right (and Wrong) About America

Telling the tale of the cyclops through the lens of high and low culture, in O'Brother, Where Art Thou? the Coens hammer home a fatalistic criticism about the ways that commerce, violence, and cosmetic Christianity prevail in American society .


Alexander Wren's "The Earth Is Flat" Wryly Looks at Lost Love (premiere + interview)

Singer-songwriter Alexander Wren's "The Earth Is Flat" is a less a flat-earther's anthem and more a wry examination of heartache.


Big Little Lions' "Distant Air" Is a Powerful Folk-Anthem (premiere)

Folk-pop's Big Little Lions create a powerful anthem with "Distant Air", a song full of sophisticated pop hooks, smart dynamics, and killer choruses.


The Flat Five Invite You to "Look at the Birdy" (premiere)

Chicago's the Flat Five deliver an exciting new single that exemplifies what some have called "twisted sunshine vocal pop".


Brian Bromberg Pays Tribute to Hendrix With "Jimi" (premiere + interview)

Bass giant Brian Bromberg revisits his 2012 tribute to Jimi Hendrix 50 years after his passing, and reflects on the impact Hendrix's music has had on generations.

Jedd Beaudoin

Shirley Collins' ​'Heart's Ease'​ Affirms Her Musical Prowess

Shirley Collins' Heart's Ease makes it apparent these songs do not belong to her as they are ownerless. Collins is the conveyor of their power while ensuring the music maintains cultural importance.


Ignorance, Fear, and Democracy in America

Anti-intellectualism in America is, sadly, older than the nation itself. A new collection of Richard Hofstadter's work from Library of America traces the history of ideas and cultural currents in American society and politics.

By the Book

Democratizing Our Data: A Manifesto (excerpt)

Just as big tech leads world in data for profit, the US government can produce data for the public good, sans the bureaucracy. This excerpt of Julia Lane's Democratizing Our Data: A Manifesto will whet your appetite for disruptive change in data management, which is critical for democracy's survival.

Julia Lane

Collapse Expand Reviews

Collapse Expand Features

PM Picks
Collapse Expand Pm Picks

© 1999-2020 All rights reserved.
PopMatters is wholly independent, women-owned and operated.