The sophomore literary effort from the Welcome to Night Vale franchise hits a double, gets on base... but never makes it home.
Wayne Escoffery is a brash and brilliant tenor saxophonist presented with his working quartet featuring the still-abundant Ralph Peterson on drums.
The Nordic Americana band is at it again with an Americana number that captures the feeling of a yearning heartache.
Lo-fi guitar pop troubadours Hoops made waves with their exciting debut Routines last year, and follow it with this 18-song collection of their earlier work.
Returning five years after their strong Southern Lord debut, Rites of Separation, Agrimonia introduce the strongest chapter in their heavy post-metal vision.
Despite being an exciting, fun piece of popcorn entertainment, Sam Raimi's Spider-Man 2 has a very serious, somber, mature core.
All Melody is as artistic an album as anything Nils Frahm has created before, owing as much to abstract art as classical music.
Prize-winning historian Jane Kaminsky's Revolution in Color paints the era of the American Revolution with beguiling precision; John Singleton Copley, a man who resisted what we regard as the inevitable outcome of the era, emerges sharp and distinct.
As The Final Year quietly argues, if the United States' electorate fails to elevate itself to a higher level of political vernacular than coarse tweets and reality TV-style colloquies, then 2016 may be the best year the US will have had for a long time to come.
19 Jan 2018
Collapse Expand Pop Ten
Collapse Expand Mixed Media