SUMMER'S HERE!!! and for the weekend beginning 2 May, here are the films in focus:
Iron Man is fantastic, a sure fire blockbuster that will leave audiences breathless and fanboys wanting more
It may have been the moment when Tobey Maguire went emo, a visual gag that gave longtime Spider-man fans a similar physical reaction. Or maybe it was the flailing Fantastic Four franchise, taken out of its superhero element to be forced and family friendly. The Phantom didn't help, and Ghost Rider only staved off the inevitable. The superhero movie was hobbled, and having a hard time maintaining its cinematic relevance.
So when it was announced that Marvel would take control of its own brand and make its own movies from its catalog, some were skeptical. Hollywood knows about film, not a comic book company. Well, all doubts now need to be cast aside. Iron Man proves that, by going to the source, the genre has finally found someone who understands it implicitly.
For all its noble intentions and universal truths, Snow Angels is not a great movie. It's not a grand movie. It's barely a very good movie.
Is there really any surprise left in the story of a small town racked by tragedy? Would something like Blue Velvet, or David Gordon Green's George Washington really resonate today? The last movie to try was Todd Field's fantastic Little Children. While poised to be an awards season hit, it was ignored by critics and barely made a box office dent. While marketing and studio support can easily be blamed, audiences clearly didn't want to take another trip down sad suburban lanes. Now Green has returned with yet another look at how the problems of people spiral into events of Earth shattering consequence. And up until the final ten minutes, Snow Angels is some very powerful stuff. read full review...
Other Releases -- In Brief
The United States, post-9/11 is a confluence of contradictions that would make even the most skilled sociologist wince with professional pain. On the one hand, we want to extend an olive branch to the rest of the world, convincing them that our time in Iraq is not a matter of hubris or revenge. But back at home, we want the borders closed, the airlines safe, and the slightest ethnic suspicion investigated fully. Into this new world sleepwalks Ivory Tower widower Walter Vale. Forced to leave his New England home for a conference, he returns to his unused New York apartment only to discover illegal squatters Tarek, an Arab, and Zainab, an African, living there. Agreeing to let them stay, they develop a nice liberal-lite living arrangement, and everything seems fine…until Tarek is arrested on a minor infraction. Before Walter knows it, his new found friend becomes part of America's homeland security bureaucracy. All of this allows The Station Agent's Thomas McCarthy an opportunity to work out all his fixations and frustrations on our current cultural isolationism. His capable cast never lets him down, while the story occasionally strands the characters in the inviolable victim mode. Not a bad film so much as an underwhelming one.