Books

Friday news round-up: Age-branding, Sophie Kinsella, Rose Tremain

Wisdom and Sense interviews Rose Tremain

Rose Tremain just won the Orange Prize for her book, The Road Home. In this 1996 interview with Elena Dedukhina, she talks about literary prizes in detail. Tremain was a Booker Prize judge in 1988 and 1990. On literary prizes, she says: "Prizes are confirming. Self-belief is a profound requisite of being a writer and -- as with any self-generated phenomenon, it can falter from time to time. Winning a prize helps to get you back on the road of self-belief."

Philip Pullman talks to the Telegraph

It's all about age-branding. If you haven't heard, books in the UK will be marketed towards very specific age groups come Autumn. Books will be printed with labels stuck on covers indicating that a book is for the "9+" group or the "11+" group. Pullman, author of The Golden Compass, is not impressed: "I don't want to see the book itself declaring officially, as if with my approval, that it is for readers of 11 and upwards or whatever. I write books for whoever is interested."

Sophie Kinsella tackles the 5-minute interview

She's the perfect judge for the new Melissa Nathan Award for Comedy Romance (is there a book award they haven't thought of?) with her hugely successful Shopaholic series, and here she discusses buying high heels but never wearing them: "The moment for those gold-encrusted Manolo Blahniks just never seems to present itself."

Frank Herbert visits the Mother Earth News

I couldn't go past this one. It's just about the longest interview you're ever likely to read, in one of the strangest places. I bet when you're done with this, you'll want to grab a sleeping bag and head for the wilderness, because Herbert likes to do that, and because the ads on this site are all about appreciating nature. Herbert's first words: "I've always considered myself to be a yellow journalist."

Daniel Wallace is interviewed at Cosmoetics

This is really worth a read. Daniel Wallace, author of Big Fish opens up about writing, publishing, MFA programs, and the fact that he's "never been a huge reader". I don't think I've ever heard an author say that. His comments on an author's luck:

I think luck plays a big part in a writer’s career. But my first five novels didn’t get published because I was unlucky; they didn’t get published because they were bad. I had the same agent for three of those books. So Big Fish was definitely a better book than the others. It was turned down by 16 houses before Algonquin took it. Still, here, there was luck involved. Algonquin had been expected a book by one its established writers and it didn’t come in. They needed a book to take its place, and quick. They opened that day’s mail and what was in it: my book.

Cover down, pray through: Bob Dylan's underrated, misunderstood "gospel years" are meticulously examined in this welcome new installment of his Bootleg series.

"How long can I listen to the lies of prejudice?
How long can I stay drunk on fear out in the wilderness?"
-- Bob Dylan, "When He Returns," 1979

Bob Dylan's career has been full of unpredictable left turns that have left fans confused, enthralled, enraged – sometimes all at once. At the 1965 Newport Folk Festival – accompanied by a pickup band featuring Mike Bloomfield and Al Kooper – he performed his first electric set, upsetting his folk base. His 1970 album Self Portrait is full of jazzy crooning and head-scratching covers. In 1978, his self-directed, four-hour film Renaldo and Clara was released, combining concert footage with surreal, often tedious dramatic scenes. Dylan seemed to thrive on testing the patience of his fans.

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TV

Inane Political Discourse, or, Alan Partridge's Parody Politics

Publicity photo of Steve Coogan courtesy of Sky Consumer Comms

That the political class now finds itself relegated to accidental Alan Partridge territory along the with rest of the twits and twats that comprise English popular culture is meaningful, to say the least.

"I evolve, I don't…revolve."
-- Alan Partridge

Alan Partridge began as a gleeful media parody in the early '90s but thanks to Brexit he has evolved into a political one. In print and online, the hopelessly awkward radio DJ from Norwich, England, is used as an emblem for incompetent leadership and code word for inane political discourse.

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The show is called Crazy Ex-Girlfriend largely because it spends time dismantling the structure that finds it easier to write women off as "crazy" than to offer them help or understanding.

In the latest episode of Crazy Ex-Girlfriend, the CW networks' highly acclaimed musical drama, the shows protagonist, Rebecca Bunch (Rachel Bloom), is at an all time low. Within the course of five episodes she has been left at the altar, cruelly lashed out at her friends, abandoned a promising new relationship, walked out of her job, had her murky mental health history exposed, slept with her ex boyfriend's ill father, and been forced to retreat to her notoriously prickly mother's (Tovah Feldshuh) uncaring guardianship. It's to the show's credit that none of this feels remotely ridiculous or emotionally manipulative.

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To be a migrant worker in America is to relearn the basic skills of living. Imagine doing that in your 60s and 70s, when you thought you'd be retired.


Nomadland: Surviving America in the Twenty-First Century

Publisher: W. W. Norton
Author: Jessica Bruder
Publication date: 2017-09
Amazon

There's been much hand-wringing over the state of the American economy in recent years. After the 2008 financial crisis upended middle-class families, we now live with regular media reports of recovery and growth -- as well as rising inequality and decreased social mobility. We ponder what kind of future we're creating for our children, while generally failing to consider who has already fallen between the gaps.

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Gallagher's work often suffers unfairly beside famous husband's Raymond Carver. The Man from Kinvara should permanently remedy this.

Many years ago—it had to be 1989—my sister and I attended a poetry reading given by Tess Gallagher at California State University, Northridge's Little Playhouse. We were students, new to California and poetry. My sister had a paperback copy of Raymond Carver's Cathedral, which we'd both read with youthful admiration. We knew vaguely that he'd died, but didn't really understand the full force of his fame or talent until we unwittingly went to see his widow read.

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