Future Clouds and Radar, Radical Face, Willy Mason...
Future Clouds and Radar --"Drugstore Bust"
From Future Clouds and Radar: Self-Titled
Listen to "Drugstore Bust"
Heavily influenced by cameras, the asterisk (*), loss of any kind and Bill Monroe's falsetto, Future Clouds and Radar is the latest creation of Robert Harrison, best known as the leader of Austin cult-garage-heroes, Cotton Mather. Harrison and Cotton Mather were the sleepy underground pioneers of the late '90s, having toured with Oasis (during the band's heyday) they were hailed by NME as perhaps "the best guitar band since Supergrass", and were most recently featured on Little Steven Van Zandt's Coolest Songs in the World Vol. 1.
Radical Face -- "Glory"
From Ghost on Morr Music
Listen to "Glory"
This record started with a simple idea: What if houses had memories? What if, when we lived in them, our stories bled into the walls and became a part of the house? What if our ghosts were always going to haunt the places we’ve lived, along with everyone else who’s lived there? In comparison to the very song-oriented debut by Electric President, 24-year-old Ben Cooper’s alter ego (Radical Face) and second musical affair of the heart, Ghost, has become a songwriter-album. Or rather a song-writing album, the tracks as carefully arranged interiors, chamber folk, pocket symphonies, passionate
The Go Find -- "Dictionary"
From Stars on the Wall on Morr Music
Listen to "Dictionary"
When Dieter Sermeus set out to write a follow-up for his 2004 The Go-Find debut Miami, he felt he wanted to move away from solitary song-writing and recording, and involved his live band from a very early stage. Together, they crafted a collection of (quote) “good-sounding danceable pop tunes” in a studio in his Antwerp home-town, which provided a warm and friendly environment, full of ancient keyboards and rare Moogs.
Willy Mason -- "When The River Moves On"
From If the Ocean Gets Rough on Astralwerks
Listen to "The River Moves On"
If the Ocean Gets Rough is filled with 11 of Willy's best songs to date, some immediately direct, others more subtle and evocative. With more developed and ambitious songwriting and instrumentation, Mason joins personal tales with socio-cultural commentary, effortlessly expressing his own experiences while making them our own.