In her history of women in punk music, Revenge of the She-Punks, Vivien Goldman hefts the scene's virtues and the vices into one heap and concludes that some of it was necessary, some of it was fun, and some of it was evil.
Eric Tretbar'sFirst Person Plural and PBS' shorts Muslim Youth Voices both offer new representations of Somali-Americans. A significant contribution, given the Islamophobic frameworks that structure most cinema, television, and popular culture in general.
His intellectual and journalistic training, coupled with an eloquent capacity for literary expression, enables Behrouz Boochani to bridge the lived experience of refugees with non-refugee audiences and to express it in the context of the critical social and political theory which shapes intellectual elites' understanding of the refugee crisis.
João Moreira Salles's melancholic documentary, In the Intense Now (No Intenso Agora) stitches together amateur footage of the riots of 1968 to create a riveting rumination on the glee and disillusionment of idealism.
As political partisanship grows more fierce let us realize what happens when such bluster and rage escape the realm of the abstract. Scholastique Mukasonga's The Barefoot Woman is a thoughtful tribute to her mother, who was murdered in the Rwandan genocide.