Returning five years after their strong Southern Lord debut, Rites of Separation, Agrimonia introduce the strongest chapter in their heavy post-metal vision.
Despite being an exciting, fun piece of popcorn entertainment, Sam Raimi's Spider-Man 2 has a very serious, somber, mature core.
All Melody is as artistic an album as anything Nils Frahm has created before, owing as much to abstract art as classical music.
Prize-winning historian Jane Kaminsky's Revolution in Color paints the era of the American Revolution with beguiling precision; John Singleton Copley, a man who resisted what we regard as the inevitable outcome of the era, emerges sharp and distinct.
As The Final Year quietly argues, if the United States' electorate fails to elevate itself to a higher level of political vernacular than coarse tweets and reality TV-style colloquies, then 2016 may be the best year the US will have had for a long time to come.
New single from dark duo VOWWS conjures classic James Bond scores while avoiding all the stuff we've all heard before.
Soulful balladeer Reigen reminds us that sometimes not knowing is a real place to start understanding.
There's a ghostly suggestion of Philip Roth's writing voice in Portnoy's Complaint in this novel; a relatively calm voice, this time in the third person, documenting the madness.
The Hackensaw Boys reboot Blaze Foley's Reagan-era "Oval Room" in light of the current political climate with scorching results.