For the week of Thanksgiving (at least for those of us here, in America), SE&L will look back at some of the stories from earlier in the year which suddenly have renewed relevance. With Frank Darabont's adaptation of The Mist hitting theaters tomorrow, it's time to reflect on the other Stephen King works in desperate need of a big screen translation.
Back in the ‘80s, it was a running joke. It seemed like, every time you turned around, another Stephen King work - no matter how minor – was being prepped for a cinematic styling or on its way to your local Bijou. To call it overkill would be too simplistic. It was, as if, the man’s massive imagination was being purposefully corralled by an industry that believed his muse was all too fleeting. The “hurry up and hit it” mentality (otherwise known as strike while the iron’s assets are liquid) meant that, in some cases, the film version of a famed tome was in preproduction before the book even made the bestsellers. It was a buyers market and the author had literary real estate to spare. Among his many novels, numerous short stories, and projects purposefully created for the movies, he was a one man idea factory. A funny thing happened on the way to maximum production capacity, however. Audiences began to balk.
At first, all was business as usual. The studios kept churning out the chum, delivering subpar motion pictures and endless, unnecessary sequels. And while they weren’t overwhelmed, the crowds kept coming. But diluting your inventory never results in quality, and before long, King’s name was as marginalized as his turnstile reputation, a lamentable presence in a genre that had long since surpassed his undeniable storytelling expertise. Additionally, the remaining items in his oeuvre were becoming more and more complicated to realize – massive magnum opuses sprawling out over hundreds of pages and dozens of subplots. With visionary elements far exceeding Hollywood’s ability to realize them, and narratives that touched on subjects both controversial and complex, the days of simple story arcs (killer dog, killer car, killer kid) were long over. So while the viewers were turning to other macabre makers, Tinsel Town turned its back on the once heralded cash cow.
But that doesn’t mean King is tapped out. Far from it. As a matter of fact, there are a half dozen or so interesting production possibilities just lying around, waiting to be discovered. At SE&L’s suggestion (and we will gladly accept any and all finder’s fees, thank you), here are six wonderful works that would make riveting entertainment options. We’ve purposely avoided anything already planned (The Talisman, Cell, From a Buick 8) as well as remakes, reimaginings and outright rip-offs. As far as we known, this sextet of stellar novels are languishing in limbo, caught somewhere between 1408’s recent success and past calamities still stinking up the artform. Each one argues for two incontrovertible truths. First, there has never been a man as prolific as Stephen King. And second? That for every mediocre motion picture pried from his prose, there’s a possible gem waiting in the wings, beginning with:
The Long Walk
Eye of the Dragon