Music

Live From Abbey Road - Episode 7

Live from Abbey Road

Airtime: Thursdays 10 pm
Cast: Matchbox 20, The Script, Def Leppard
Network: Sundance Channel
First date: 2008-07-31
Website
Amazon

Live from Abbey Road show seven (Sundance Channel, Thursday, July 24 at 10 p.m. Eastern and Pacific) has an incredibly diverse line-up this week. Cheers to the show's staff for presenting Modern American mainstream pop next to what's been called the new Celtic soul sound and classic British hard rock to create another eclectic episode.

Matchbox Twenty's Paul Doucette admits at the outset to being "a dork for the Beatles", and imagines he'll have every nook and cranny of Abbey Road's studio one committed to memory before the band finishes its session! The entire band goes into the details behind the creation of the track "How Far We've Come" (off of 2007's Exile on Mainstream) before launching into an incredible live version of it. It's the balance between these bits of trivia and the live performances that Live from Abbey Road really gets right.

In addition to rehearsals and performances of "I Can't Let You Go" and "Bright Lights", Matchbox Twenty pulls out its Lennon and McCartney cover. "She Came in Through the Bathroom Window" is something the band "tacked on" to "Bright Lights" because the two songs shared some elements, but add-on or no, it's a beautiful bit of homage.

The Script is a trio from Dublin that includes former studio musicians, had a single of the week in the UK and toured with last episode darlings the Hoosiers. These interview clips give an interesting, detailed background on the first song too. "We Cry", it is explained, is a song that came from walking down one of the meanest streets in Ireland and wanting to express to its inhabitants the idea that, "a problem shared is a problem halved". The song itself, as well as the performance shown here, is brilliant. The Script's other performance, "Man Who Can't Be Moved" is a gorgeous love song so perfectly realized that if I wasn't watching it, I wouldn't believe it was recorded live.

Joe Eliott starts Def Leppard's segment by explaining how the industry has changed so dramatically since the 1980s. When Def Leppard began, bands had five albums in which to prove their staying power, often not breaking through until the third or fourth. In the '90s, however, the standard procedure became to cut a band if its second release wasn't a million-seller. He theorizes that there'd be no Def Leppard if there hadn't been a third record (which was, by the way, Pyromania!). And that would be a shame, as the band makes quite clear as it fires up "Rocket" from 1987's Hysteria.

The band members give their all on a cover of "Rock On" and it's amazing! Then, they play a new one called "C'mon C'mon", from this year's Songs From the Sparkle Lounge, and it's not only good, it's a prime example of rock and roll in top form. At one point during the interviews, Elliott is saying that they all saw Marc Bolan, David Bowie and Queen growing up, and guitarist Viv Campbell states matter-of-factly "Rock and Roll was a religion back then. It was something that you focused on and it changed your life."

As the world has become increasingly focused on "product" and "the next next big thing" it's lamentable to watch those beliefs dying out. No worries, though. Some say the old ways still yet survive, and with musical diversity like what's shown each week on Live from Abbey Road, I predict a re-awakening!

7

From drunken masters to rumbles in the Bronx, Jackie Chan's career is chock full of goofs and kicks. These ten films capture what makes Chan so magnetic.

Jackie Chan got his first film role way back in 1976, when a rival producer hired him for his obvious action prowess. Now, nearly 40 years later, he is more than a household name. He's a brand, a signature star with an equally recognizable onscreen persona. For many, he was their introduction into the world of Hong Kong cinema. For others, he's the goofy guy speaking broken English to Chris Tucker in the Rush Hour films.

From his grasp of physical comedy to his fearlessness in the face of certain death (until recently, Chan performed all of his own stunts) he's a one of a kind talent whose taken his abilities in directions both reasonable (charity work, political reform) and ridiculous (have your heard about his singing career?).

Now, Chan is back, bringing the latest installment in the long running Police Story franchise to Western shores (subtitled Lockdown, it's been around since 2013), and with it, a reminder of his multifaceted abilities. He's not just an actor. He's also a stunt coordinator and choreographer, a writer, a director, and most importantly, a ceaseless supporter of his country's cinema. With nearly four decades under his (black) belt, it's time to consider Chan's creative cannon. Below you will find our choices for the ten best pictures Jackie Chan's career, everything from the crazy to the classic. While he stuck to formula most of the time, no one made redundancy seem like original spectacle better than he.

Let's start with an oldie but goodie:

10. Operation Condor (Armour of God 2)

Two years after the final pre-Crystal Skull installment of the Indiana Jones films arrived in theaters, Chan was jumping on the adventurer/explorer bandwagon with this wonderful piece of movie mimicry. At the time, it was one of the most expensive Hong Kong movies ever made ($115 million, which translates to about $15 million American). Taking the character of Asian Hawk and turning him into more of a comedic figure would be the way in which Chan expanded his global reach, realizing that humor could help bring people to his otherwise over the top and carefully choreographed fight films -- and it's obviously worked.

9. Wheels on Meals

They are like the Three Stooges of Hong Kong action comedies, a combination so successful that it's amazing they never caught on around the world. Chan, along with director/writer/fight coordinator/actor Sammo Hung and Yuen Biao, all met at the Peking Opera, where they studied martial arts and acrobatics. They then began making movies, including this hilarious romp involving a food truck, a mysterious woman, and lots of physical shtick. While some prefer their other collaborations (Project A, Lucky Stars), this is their most unabashedly silly and fun. Hung remains one of the most underrated directors in all of the genre.

8. Mr. Nice Guy
Sammo Hung is behind the lens again, this time dealing with Chan's genial chef and a missing mob tape. Basically, an investigative journalist films something she shouldn't, the footage gets mixed up with some of our heroes, and a collection of clever cat and mouse chases ensue. Perhaps one of the best sequences in all of Chan's career occurs in a mall, when a bunch of bad guys come calling to interrupt a cooking demonstration. Most fans have never seen the original film. When New Line picked it up for distribution, it made several editorial and creative cuts. A Japanese release contains the only unaltered version of the effort.

7. Who Am I?

Amnesia. An easy comedic concept, right? Well, leave it to our lead and collaborator Benny Chan (no relation) to take this idea and go crazy with it. The title refers to Chan's post-trauma illness, as well as the name given to him by natives who come across his confused persona. Soon, everyone is referring to our hero by the oddball moniker while major league action set pieces fly by. While Chan is clearly capable of dealing with the demands of physical comedy and slapstick, this is one of the rare occasions when the laughs come from character, not just chaos.

6. Rumble in the Bronx

For many, this was the movie that broke Chan into the US mainstream. Sure, before then, he was a favorite of film fans with access to a video store stocking his foreign titles, but this is the effort that got the attention of Joe and Jane Six Pack. Naturally, as they did with almost all his films, New Line reconfigured it for a domestic audience, and found itself with a huge hit on its hands. Chan purists prefer the original cut, including the cast voices sans dubbing. It was thanks to Rumble that Chan would go on to have a lengthy run in Tinseltown, including those annoying Rush Hour films.

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