The Lives of Others

‘The Lives of Others’ Grips Us with Almost Complete Control

Florian Henckel von Donnersmarck’s first film, The Lives of Others is part paradox, part prophecy. It’s a stellar achievement in archival storytelling and historic perspective.

The Lives of Others
Florian Henckel von Donnersmarck
Buena Vista International
23 March 2006

The power of paranoia is amazing, and the director of the German psychological drama The Lives of Others knows this. Fear of the unknown remains the greatest psychological stricture since, without knowledge of what to be wary of, courage can find no real frame of reference. Naturally, such vague dread is the perfect mechanism for total control. Apply enough pressure, and threaten the ethereal element of existence, and you can keep dissent down to a bare minimum, if it exists at all.

This was the way most supposedly sovereign satellites of the USSR did business. While the amazing might of Russian forces could be called up at any moment, a far more sly and sinister form of tyranny was being used. What these oppressive nations learned was that, when faced with losing their lot in a very limited social setting, or snitching on their friends, families, and coworkers, a human being became a rather easy and readily available nut to crack.

RATING 9 / 10
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