Music

Love of Diagrams: Love of Diagrams

Once Love of Diagrams manage to unhinge their voices while keeping a lock down on the groove, their impact will be unnervingly devastating.


Love of Diagrams

Love of Diagrams

Label: Matador
US Release Date: 2007-01-30
UK Release Date: Available as import
Amazon
iTunes

Love of Diagrams is toughening up post-punk revivalism with sinewy precision. Not as much bounce and angularity as outright rolling force, their terse introductory EP for Matador throbs with dexterously relentless rhythms and fluidly dissonant melodies. While that abrasiveness owes an obvious debt to classic Touch and Go artists like The Jesus Lizard, the band also demonstrates a capacity for hooks and finesse somewhere between the Pretenders and Pixies. Love of Diagrams is a lot stiffer than any of those other artists, but there are still some very compelling elements in play. Antonia Sellbach's bass lines are enthrallingly insistent while Luke Horton's guitar playing is incredibly nuanced. Sharing vocal duties as well, the pair has yet to turn this aspect of the band into an asset. Albeit hardly a shortcoming, their singing is the most obvious victim of rigidity. Once they manage to unhinge their voices while keeping a lock down on the groove, their impact will be unnervingly devastating.

6

In the wake of Malcolm Young's passing, Jesse Fink, author of The Youngs: The Brothers Who Built AC/DC, offers up his top 10 AC/DC songs, each seasoned with a dash of backstory.

In the wake of Malcolm Young's passing, Jesse Fink, author of The Youngs: The Brothers Who Built AC/DC, offers up his top 10 AC/DC songs, each seasoned with a dash of backstory.

Keep reading... Show less

Pauline Black may be called the Queen of Ska by some, but she insists she's not the only one, as Two-Tone legends the Selecter celebrate another stellar album in a career full of them.

Being commonly hailed as the "Queen" of a genre of music is no mean feat, but for Pauline Black, singer/songwriter of Two-Tone legends the Selecter and universally recognised "Queen of Ska", it is something she seems to take in her stride. "People can call you whatever they like," she tells PopMatters, "so I suppose it's better that they call you something really good!"

Keep reading... Show less

Morrison's prose is so engaging and welcoming that it's easy to miss the irreconcilable ambiguities that are set forth in her prose as ineluctable convictions.

It's a common enough gambit in science fiction. Humans come across a race of aliens that appear to be entirely alike and yet one group of said aliens subordinates the other, visiting violence upon their persons, denigrating them openly and without social or legal consequence, humiliating them at every turn. The humans inquire why certain of the aliens are subjected to such degradation when there are no discernible differences among the entire race of aliens, at least from the human point of view. The aliens then explain that the subordinated group all share some minor trait (say the left nostril is oh-so-slightly larger than the right while the "superior" group all have slightly enlarged right nostrils)—something thatm from the human vantage pointm is utterly ridiculous. This minor difference not only explains but, for the alien understanding, justifies the inequitable treatment, even the enslavement of the subordinate group. And there you have the quandary of Otherness in a nutshell.

Keep reading... Show less
3

Time has dulled the once vibrant approach of the Jimmy Chamberlin Complex.

When drummer Jimmy Chamberlin quit or was fired from the Smashing Pumpkins in 2009, he announced that he was going to focus his attention on the Jimmy Chamberlin Complex. This was good news. The Complex's 2005 debut Life Begins Again was freewheeling and colorful, filled to the brim with psychedelia, heavy pop, and heaping dose of post-rock. Billy Corgan was there, Rob Dickinson was there, even Bill Medley contributed to a track.

Keep reading... Show less
6

Jesús Carrasco's debut is a tale of psychological brutality that is as rich as it is slow.

If you were born in the '80s or '90s, you may relate to the experience of picking up a videogame -- one frowned upon by the gaming community for being too difficult or frustrating -- and finding it delightfully to your taste, as it recalls the unwieldy and impractical adventures you grew up with. Such a game, you might feel, belongs to another age.

I could say the same of Jesús Carrasco's debut novel Out in the Open, the original edition of which caused quite the sensation in 2013, when it was first published in Spain. Reading it now, in Margaret Jull Costa's translation, feels very much like reading a book from another age, with a pace and a sense of focus that are quite unlike those of most published fiction today.

Keep reading... Show less
7
Pop Ten
Mixed Media
PM Picks

© 1999-2017 Popmatters.com. All rights reserved.
Popmatters is wholly independently owned and operated.

rating-image