Master Blasters

Glenn McDonald

Exploding rockets is good, clean, American fun, but it's a fundamentally goofy thing to do with your spare time.

Master Blasters

Airtime: Wednesdays, 9pm ET
Cast: Dan Stroud, Terry Stroud
Network: SciFi

Master Blasters, a new geeked-out reality show from the SciFi Channel, may be final evidence that our planet has too much time on its hands. The science nerd's answer to American Chopper and Monster Garage, Master Blasters pits teams of amateur rocket enthusiasts against one another in a series of goofy competitions to launch things that ought not be launched. Although technically amateurs, the contestants here are a few dozen steps past model rocket kits. These guys use some serious missiles, and like nothing better than to strap them to something rather unlikely, push the button, and see what happens. Big bangs. Lots of fire and smoke. Good times.

The premiere episode had two five-member teams squaring off in a Wizard of Oz-themed challenge, to launch Dorothy's home (a 5' x 5' wooden playhouse) skyward, spin it three times, and return it by parachute safely to the ground. Because the stresses of launch will likely rip the wood apart, structural reinforcements will need to be made. Also, this will be a "manned" flight -- Dorothy (an appropriately costumed mannequin) is inside and must not be harmed, and the Wicked Witch on the roof (another mannequin) must be jettisoned mid-flight.

If this seems like your idea of fun, then you probably engaged in similar demented activities yourself as a child. I know I did. I remember many a happy summer day with my best friend Mark, experimenting with bottle rockets and Star Wars action figures, and generally perverting the scientific method. The "master blasters" are the kind of people Mark and I might have become had we been more serious-minded. It's a good demographic match for the SciFi Channel, as we fanboys have a healthy appreciation for the pyrotechnical aspects of science.

This type of show depends on the personalities involved. American Chopper pioneered the genre, and owes its broad appeal to the bickering familial dynamics of its whacked-out father-and-sons team. Master Blasters follows the template very closely. The home team (the Master Blasters) features a father and son: Dan (50-something, goatee, grey hair) and Terry (20-something, goatee, long hair), along with a rotating crew of fellow rocket enthusiasts. Dan and Terry appear on every episode, but the other team members switch out depending on that week's particular challenge.

The requisite A-Team-style construction montages are regularly juxtaposed with brief intrasquad dramas. In one sequence, the sole female member of this week's home team protests that she's being excluded from the boy's club. (Responds another crew member: "Well, I was surprised when I learned there was a fluff on the team.") But the main relationship, between Dan and Terry, is surprisingly affectionate and sweet for a reality show. Dad and lad bond over super-sized model rockets.

Another, competing squad of five provides its own set of dysfunctional relations. Each team must come up with its own design solution to the weekly problem at hand, and the camera cross-cuts between the teams over four days of construction. In the premiere, the visiting Roc-oholics (including a husband-and-wife pair) prove much more, well, combustible. ("You wanna do the fucking welding? Then you do the fucking welding!")

The key to engaging pop science TV is the right blend of hardware and human interest. Here, the science is too dumbed down, and the rocketeers are nowhere near as interesting as the rockets. Too many segments focus on painfully artificial scenes where the competing teams dis each other in an effort to manufacture some conflict. Master Blasters needs to kill the cheesy back-lit tableaus of skinny brainiacs trying to look tough with sunglasses and smoke machines. Instead, the series needs more of the interstitial 3D motion graphics that diagram the rockets and explain the physics behind the design. Done properly -- detailed but not too dense -- that sort of instructional material can be genuinely engaging. You don't have to be an engineer to get off on how stuff works.

And, of course, more scenes of the rockets themselves -- launching, misfiring, blowing up, whatever. Those are the money shots for a show like this. Remember the mini-trend of fighting robot shows a few years back? Comedy Central's BattleBots did it best by keeping the visual focus on the fightin' robot action, providing clear and concise segments on the science involved, and overlaying lots of winking commentary and sarcasm.

Exploding rockets is good, clean, American fun, but it's a fundamentally goofy thing to do with your spare time. When making primetime entertainment out of it, a little ironic distance goes a long way. Launching houses, rocket-powered lawn darts, and a sports car through a football field goal: c'mon, man! That shit sells itself!






Padma Lakshmi's 'Taste the Nation' Questions What, Exactly, Is American Food

Can food alone undo centuries of anti-immigrant policies that are ingrained in the fabric of the American nation? Padma Lakshmi's Taste the Nation certainly tries.


Performing Race in James Whale's 'Show Boat'

There's a song performed in James Whale's musical, Show Boat, wherein race is revealed as a set of variegated and contradictory performances, signals to others, a manner of being seen and a manner of remaining hidden, and it isn't "Old Man River".


The Greyboy Allstars Rise Up to Help America Come Together with 'Como De Allstars'

If America could come together as one nation under a groove, Karl Denson & the Greyboy Allstars would be leading candidates of musical unity with their funky new album, Como De Allstars.


The Beatles' 'Help!' Redefined How Personal Popular Music Could Be 55 Years Ago

Help! is the record on which the Beatles really started to investigate just how much they could get away with. The album was released 55 years ago this week, and it's the kick-off to our new "All Things Reconsidered" series.


Porridge Radio's Mercury Prize-Nominated 'Every Bad' Is a Wonderful Epistemological Nightmare

With Every Bad, Porridge Radio seduce us with the vulnerability and existential confusion of Dana Margolin's deathly beautiful lyricism interweaved with alluring pop melodies.


​​Beyoncé's 'Black Is King' Builds Identity From Afrofuturism

Beyoncé's Black Is King's reliance on Afrofuturism recuperates the film from Disney's clutches while reclaiming Black excellence.

Reading Pandemics

Colonial Pandemics and Indigenous Futurism in Louise Erdrich and Gerald Vizenor

From a non-Native perspective, COVID-19 may be experienced as an unexpected and unprecedented catastrophe. Yet from a Native perspective, this current catastrophe links to a longer history that is synonymous with European colonization.


John Fullbright Salutes Leon Russell with "If the Shoe Fits" (premiere + interview)

John Fullbright and other Tulsa musicians decamped to Leon Russell's defunct studio for a four-day session that's a tribute to Dwight Twilley, Hoyt Axton, the Gap Band and more. Hear Fullbright's take on Russell's "If The Shoe Fits".


Roots Rocker Webb Wilder Shares a "Night Without Love" (premiere + interview)

Veteran roots rocker Webb Wilder turns back the hands of time on an old favorite of his with "Night Without Love".


The 10 Best Films of Sir Alan Parker

Here are 10 reasons to mourn the passing of one of England's most interesting directors, Sir Alan Parker.


July Talk Transform on 'Pray for It'

On Pray for It, Canadian alt-poppers July Talk show they understand the complex dualities that make up our lives.


With 'Articulation' Rival Consoles Goes Back to the Drawing Board

London producer Rival Consoles uses unorthodox approaches on his latest record, Articulation, resulting in a stunning, beautiful collection.


Paranoia Goes Viral in 'She Dies Tomorrow'

Amy Seimetz's thriller, She Dies Tomorrow, is visually dazzling and pulsating with menace -- until the color fades.


MetalMatters: July 2020 - Back on Track

In a busy and exciting month for metal, Boris arrive in rejuvenated fashion, Imperial Triumphant continue to impress with their forward-thinking black metal, and death metal masters Defeated Sanity and Lantern return with a vengeance.


Isabel Wilkerson's 'Caste' Reveals the Other Kind of American Exceptionalism

By comparing the American race-based class system to that of India and Nazi Germany, Isabel Wilkerson makes us see a familiar evil in a different light with her latest work, Caste.


Anna Kerrigan Prioritizes Substance Over Style in 'Cowboys'

Anna Kerrigan talks with PopMatters about her latest film, Cowboys, which deviates from the common "issues style" approach to LGBTQ characters.


John Fusco and the X-Road Riders Get Funky with "It Takes a Man" (premiere + interview)

Screenwriter and musician John Fusco pens a soulful anti-street fighting man song, "It Takes a Man". "As a trained fighter, one of the greatest lessons I have ever learned is to walk away from a fight without letting ego get the best of you."


'Run-Out Groove' Shows the Dark Side of Capitol Records

Music promoter Dave Morrell's memoir, Run Out Groove, recalls the underbelly of the mainstream music industry.

Collapse Expand Reviews

Collapse Expand Features
PM Picks
Collapse Expand Pm Picks

© 1999-2020 All rights reserved.
PopMatters is wholly independent, women-owned and operated.