Music

Maynard Ferguson: On a High Note: The Best of the Concord Jazz Recordings

Jon Ross

On a High Note is an amalgamation of standards recorded by Maynard Ferguson’s Big Bop Nouveau over the past 15 years.


Maynard Ferguson

On a High Note: The Best of the Concord Jazz Recordings

Label: Concord Jazz
US Release Date: 2007-02-06
UK Release Date: 2007-04-16
Amazon
iTunes

In the current market, Best of collections face an uphill battle even before they hit the shelves. The choices afforded customers by MP3 retail sites should render CD collections obsolete, being that its more frugal to buy the songs you want than to purchase an album with a bunch of already released hits. On a High Note, an amalgamation of standards recorded by Maynard Ferguson’s Big Bop Nouveau over the past 15 years, is more than just a combination of re-released tunes. Impeachable audio quality and production values that highlight Ferguson’s tight, regimented big band, make this collection as good as a new release. Horn attacks pop, and Ferguson’s squealing high notes -- the first of which occurs 47 seconds into “You Got It”, the first track -- sound clear and crisp. Though the trumpeter was entering the end of his career when the selections were recorded, and, as a consequence, his high notes lack the luster attained earlier in his career (and occur less frequently), his outstanding soloists make up for any lack of firepower. In addition to making the CD sound fresh, the improved production illuminates the details in each arrangement. Every soloist is heard above ensemble backgrounds, and each part can be picked out of the whole. On “Manteca”, Ferguson’s solo lays on top a bed of rich accompaniment, and every instrument -- the walking bass, the busy drums, the involved ensemble movement -- is heard clearly. By accomplishing fidelity that MP3s have yet to achieve, this release ensures that Ferguson’s late catalog keeps getting the attention it warrants.

5

In the wake of Malcolm Young's passing, Jesse Fink, author of The Youngs: The Brothers Who Built AC/DC, offers up his top 10 AC/DC songs, each seasoned with a dash of backstory.

In the wake of Malcolm Young's passing, Jesse Fink, author of The Youngs: The Brothers Who Built AC/DC, offers up his top 10 AC/DC songs, each seasoned with a dash of backstory.

Keep reading... Show less

Pauline Black may be called the Queen of Ska by some, but she insists she's not the only one, as Two-Tone legends the Selecter celebrate another stellar album in a career full of them.

Being commonly hailed as the "Queen" of a genre of music is no mean feat, but for Pauline Black, singer/songwriter of Two-Tone legends the Selecter and universally recognised "Queen of Ska", it is something she seems to take in her stride. "People can call you whatever they like," she tells PopMatters, "so I suppose it's better that they call you something really good!"

Keep reading... Show less

Morrison's prose is so engaging and welcoming that it's easy to miss the irreconcilable ambiguities that are set forth in her prose as ineluctable convictions.

It's a common enough gambit in science fiction. Humans come across a race of aliens that appear to be entirely alike and yet one group of said aliens subordinates the other, visiting violence upon their persons, denigrating them openly and without social or legal consequence, humiliating them at every turn. The humans inquire why certain of the aliens are subjected to such degradation when there are no discernible differences among the entire race of aliens, at least from the human point of view. The aliens then explain that the subordinated group all share some minor trait (say the left nostril is oh-so-slightly larger than the right while the "superior" group all have slightly enlarged right nostrils)—something thatm from the human vantage pointm is utterly ridiculous. This minor difference not only explains but, for the alien understanding, justifies the inequitable treatment, even the enslavement of the subordinate group. And there you have the quandary of Otherness in a nutshell.

Keep reading... Show less
3

A 1996 classic, Shawn Colvin's album of mature pop is also one of best break-up albums, comparable lyrically and musically to Joni Mitchell's Hejira and Bob Dylan's Blood on the Tracks.

When pop-folksinger Shawn Colvin released A Few Small Repairs in 1996, the music world was ripe for an album of sharp, catchy songs by a female singer-songwriter. Lilith Fair, the tour for women in the music, would gross $16 million in 1997. Colvin would be a main stage artist in all three years of the tour, playing alongside Liz Phair, Suzanne Vega, Sheryl Crow, Sarah McLachlan, Meshell Ndegeocello, Joan Osborne, Lisa Loeb, Erykah Badu, and many others. Strong female artists were not only making great music (when were they not?) but also having bold success. Alanis Morissette's Jagged Little Pill preceded Colvin's fourth recording by just 16 months.

Keep reading... Show less
9

Frank Miller locates our tragedy and warps it into his own brutal beauty.

In terms of continuity, the so-called promotion of this entry as Miller's “third" in the series is deceptively cryptic. Miller's mid-'80s limited series The Dark Knight Returns (or DKR) is a “Top 5 All-Time" graphic novel, if not easily “Top 3". His intertextual and metatextual themes resonated then as they do now, a reason this source material was “go to" for Christopher Nolan when he resurrected the franchise for Warner Bros. in the mid-00s. The sheer iconicity of DKR posits a seminal work in the artist's canon, which shares company with the likes of Sin City, 300, and an influential run on Daredevil, to name a few.

Keep reading... Show less
8
Pop Ten
Mixed Media
PM Picks

© 1999-2017 Popmatters.com. All rights reserved.
Popmatters is wholly independently owned and operated.

rating-image