Games

Mega Man 9

Arun Subramanian looks at the purest bit of nostalgia yet released for the modern consoles.


Publisher: Capcom
Genres: Action
Price: $10.00
Multimedia: Mega Man 9
Platforms: PlayStation 3 (Reviewed), Xbox 360, Wii
Number of players: 1
ESRB rating: Everyone
Developer: Capcom
US release date: 2008-09-22
Website
Developer website

It's not difficult to imagine who the target audience for Mega Man 9 is. A good number of gamers came of age during the heyday of the NES, when both challenge and level design encouraged multiple playthroughs of titles. These qualities were particularly important considering both how much more $50 was then than it is now, and how many fewer people were playing video games to begin with, indicating a much more hardcore fanbase. It doesn't seem likely that newcomers to Mega Man will have any interest in Mega Man 9. However, gamers who spent a good deal of time with Mega Man 1 and 2 in their formative years will very likely find the prospect of purchasing a new 8-bit Mega Man for $9.99 irresistible.

That said, it's somewhat interesting to try and determine who will actually complete the game, given its level of difficulty. From top to bottom, Mega Man 9 is a throwback to an another time in gaming. The audiovisual presentation aims to match that of the earliest 8-bit titles to a fault. Between that and the challenge presented, Mega Man 9 is strikingly content to present itself as though the last 20 years of gaming never happened.

As with the classic titles in the series, memorization, trial and error, and pure platforming ability are crucial to success in Mega Man 9. Experimentation is also required in order to determine the most efficient order in which to defeat the bosses. Again, Mega Man 9 is reminiscent of a time when beating the game was only the beginning of actually getting good at it, and punishing difficulty was welcomed, because level design and predictable enemy patterns meant that after the initial learning curve, dying was the player's fault.

Normally, it might be difficult to argue that the "lost game", retro feel that Mega Man 9 achieves was especially necessary in order to evoke nostalgia. Indeed, games like Bionic Commando: Rearmed have demonstrated that the reboot of a long dormant franchise itself is likely to ensure decent enough sales among those that remember the original. What makes Mega Man 9 unique is how active the franchise, or at least the protagonist, has been for many years regardless of the quality of individual titles. Revisiting the early days of Mega Man when the series was at its strongest, then, is what makes the design of Mega Man 9 particularly notable.

Although it makes perfect sense for Mega Man 9 to be distributed digitally (regardless of the brilliant limited edition physical packaging), it does seem somewhat at odds with the rest of the game's aesthetics for there to be downloadable content and achievements for the Xbox 360 version. But beyond that, Mega Man 9 does an admirable job of revisiting a classic gaming franchise, leaving the original presentation untouched, while offering brand new content. For fans of the series, it offers a large amount of replay value for its relatively low price, though its retro brand of difficulty may prove too much for some.

7

In the wake of Malcolm Young's passing, Jesse Fink, author of The Youngs: The Brothers Who Built AC/DC, offers up his top 10 AC/DC songs, each seasoned with a dash of backstory.

In the wake of Malcolm Young's passing, Jesse Fink, author of The Youngs: The Brothers Who Built AC/DC, offers up his top 10 AC/DC songs, each seasoned with a dash of backstory.

Keep reading... Show less

Pauline Black may be called the Queen of Ska by some, but she insists she's not the only one, as Two-Tone legends the Selecter celebrate another stellar album in a career full of them.

Being commonly hailed as the "Queen" of a genre of music is no mean feat, but for Pauline Black, singer/songwriter of Two-Tone legends the Selecter and universally recognised "Queen of Ska", it is something she seems to take in her stride. "People can call you whatever they like," she tells PopMatters, "so I suppose it's better that they call you something really good!"

Keep reading... Show less

Morrison's prose is so engaging and welcoming that it's easy to miss the irreconcilable ambiguities that are set forth in her prose as ineluctable convictions.

It's a common enough gambit in science fiction. Humans come across a race of aliens that appear to be entirely alike and yet one group of said aliens subordinates the other, visiting violence upon their persons, denigrating them openly and without social or legal consequence, humiliating them at every turn. The humans inquire why certain of the aliens are subjected to such degradation when there are no discernible differences among the entire race of aliens, at least from the human point of view. The aliens then explain that the subordinated group all share some minor trait (say the left nostril is oh-so-slightly larger than the right while the "superior" group all have slightly enlarged right nostrils)—something thatm from the human vantage pointm is utterly ridiculous. This minor difference not only explains but, for the alien understanding, justifies the inequitable treatment, even the enslavement of the subordinate group. And there you have the quandary of Otherness in a nutshell.

Keep reading... Show less
3

A 1996 classic, Shawn Colvin's album of mature pop is also one of best break-up albums, comparable lyrically and musically to Joni Mitchell's Hejira and Bob Dylan's Blood on the Tracks.

When pop-folksinger Shawn Colvin released A Few Small Repairs in 1996, the music world was ripe for an album of sharp, catchy songs by a female singer-songwriter. Lilith Fair, the tour for women in the music, would gross $16 million in 1997. Colvin would be a main stage artist in all three years of the tour, playing alongside Liz Phair, Suzanne Vega, Sheryl Crow, Sarah McLachlan, Meshell Ndegeocello, Joan Osborne, Lisa Loeb, Erykah Badu, and many others. Strong female artists were not only making great music (when were they not?) but also having bold success. Alanis Morissette's Jagged Little Pill preceded Colvin's fourth recording by just 16 months.

Keep reading... Show less
9

Frank Miller locates our tragedy and warps it into his own brutal beauty.

In terms of continuity, the so-called promotion of this entry as Miller's “third" in the series is deceptively cryptic. Miller's mid-'80s limited series The Dark Knight Returns (or DKR) is a “Top 5 All-Time" graphic novel, if not easily “Top 3". His intertextual and metatextual themes resonated then as they do now, a reason this source material was “go to" for Christopher Nolan when he resurrected the franchise for Warner Bros. in the mid-00s. The sheer iconicity of DKR posits a seminal work in the artist's canon, which shares company with the likes of Sin City, 300, and an influential run on Daredevil, to name a few.

Keep reading... Show less
8
Pop Ten
Mixed Media
PM Picks

© 1999-2017 Popmatters.com. All rights reserved.
Popmatters is wholly independently owned and operated.

rating-image