Motown Gerald Posner

Motown’s Malevolent Maker: Berry Gordon

In Gerald Posner’s Motown, one thing is made perfectly clear: Success did not make Berry Gordy an asshole; being an asshole made Berry Gordy a success.

Motown: Music, Money, Sex, and Power
Gerald Posner
Random House
December 2002

“When I met him, he didn’t have money, but he had direction…And he had the balls to go after what he wanted… Berry Gordy was street.” – Smokey Robinson

Smokey Robinson knows what he’s talking about. He was put through considerable struggle and humiliation, after all, for having the gall to try to make Berry Gordy a rich man. In the end, of course, they made each other rich men, but in the beginning you’d think that Smokey was trying to sell to Berry something he didn’t need or want, this small-time record peddler, not knowing where his first hit was coming from, a man who had experimented, on the streets of Detroit, with record-retailing, auto-manufacturing, songwriting, talent-scouting, even (ludicrously) singing. He was a wife-beater and a gambler and, indeed, the consummate small-time hustler: for a time, he was a pimp who rode the bus to work.

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