Music

Noel Gallagher leaves Oasis. Again.

Guitarist and chief songwriter Noel Gallagher has quit Britpop survivors Oasis, reportedly due to an "altercation" just before the group was set to take the stage at the Rock en Seine festival in Paris, France, on Friday night. According to a statement he posted on the band's website, Gallagher said he "could not go on" working with vocalist/younger brother Liam Gallagher a single day longer. Despite the suddenness of the split, the news would carry a far greater impact if Gallagher hadn't done the same thing several times before, only to rejoin soon thereafter.

Gallagher has exited Oasis over disagreements with his brother so often it has become a running joke. The first such incident occurred following a September 1994 concert in Los Angeles, California, where Noel took exception to Liam's drug-fueled stage antics and subsequently fought his kin backstage. The siblings made up shortly thereafter; meanwhile Noel was inspired by his post-breakup exodus to Las Vegas to write the strong Oasis b-side "Talk Tonight". Noel left the group again in May 1995 during the production of (What's the Story) Morning Glory?; this incident involved an in-studio showdown between cricket bat-wielding Noel and a furniture-tossing Liam. The elder Gallagher's next exit came in 1996 at the height of his band’s popularity, when he opted to return home to the UK in the midst of an increasingly disappointing American tour. Despite brief talk of continuing the tour without their leader, Liam and the rest of the band shortly returned to Britain, where the Gallaghers duly patched things up amid a media panic. In the new millennium, Noel made another mid-tour exit in 2000, allegedly precipitated by his brother's rude comments about his wife.

It is possible that Noel Gallagher has finally had it with his brothers behavior and could not longer carry on in Oasis In interviews in recent years, Noel has painted a picture of Liam as a stubborn, inconsiderate loudmouth who calls at four in the morning just to berate him (in contrast, Liam is not above chastising his brother in the press as well). Still, given the elder Gallagher's past behavior, post-mortems on the life of Oasis are premature. If Noel Gallagher has not returned to the group in six months' time, then readers can surely expect an Oasis career retrospective by this author here at Sound Affects. Until then, wait and see if he cools off a bit.

Cover down, pray through: Bob Dylan's underrated, misunderstood "gospel years" are meticulously examined in this welcome new installment of his Bootleg series.

"How long can I listen to the lies of prejudice?
How long can I stay drunk on fear out in the wilderness?"
-- Bob Dylan, "When He Returns," 1979

Bob Dylan's career has been full of unpredictable left turns that have left fans confused, enthralled, enraged – sometimes all at once. At the 1965 Newport Folk Festival – accompanied by a pickup band featuring Mike Bloomfield and Al Kooper – he performed his first electric set, upsetting his folk base. His 1970 album Self Portrait is full of jazzy crooning and head-scratching covers. In 1978, his self-directed, four-hour film Renaldo and Clara was released, combining concert footage with surreal, often tedious dramatic scenes. Dylan seemed to thrive on testing the patience of his fans.

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TV

Inane Political Discourse, or, Alan Partridge's Parody Politics

Publicity photo of Steve Coogan courtesy of Sky Consumer Comms

That the political class now finds itself relegated to accidental Alan Partridge territory along the with rest of the twits and twats that comprise English popular culture is meaningful, to say the least.

"I evolve, I don't…revolve."
-- Alan Partridge

Alan Partridge began as a gleeful media parody in the early '90s but thanks to Brexit he has evolved into a political one. In print and online, the hopelessly awkward radio DJ from Norwich, England, is used as an emblem for incompetent leadership and code word for inane political discourse.

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The show is called Crazy Ex-Girlfriend largely because it spends time dismantling the structure that finds it easier to write women off as "crazy" than to offer them help or understanding.

In the latest episode of Crazy Ex-Girlfriend, the CW networks' highly acclaimed musical drama, the shows protagonist, Rebecca Bunch (Rachel Bloom), is at an all time low. Within the course of five episodes she has been left at the altar, cruelly lashed out at her friends, abandoned a promising new relationship, walked out of her job, had her murky mental health history exposed, slept with her ex boyfriend's ill father, and been forced to retreat to her notoriously prickly mother's (Tovah Feldshuh) uncaring guardianship. It's to the show's credit that none of this feels remotely ridiculous or emotionally manipulative.

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To be a migrant worker in America is to relearn the basic skills of living. Imagine doing that in your 60s and 70s, when you thought you'd be retired.


Nomadland: Surviving America in the Twenty-First Century

Publisher: W. W. Norton
Author: Jessica Bruder
Publication date: 2017-09
Amazon

There's been much hand-wringing over the state of the American economy in recent years. After the 2008 financial crisis upended middle-class families, we now live with regular media reports of recovery and growth -- as well as rising inequality and decreased social mobility. We ponder what kind of future we're creating for our children, while generally failing to consider who has already fallen between the gaps.

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Gallagher's work often suffers unfairly beside famous husband's Raymond Carver. The Man from Kinvara should permanently remedy this.

Many years ago—it had to be 1989—my sister and I attended a poetry reading given by Tess Gallagher at California State University, Northridge's Little Playhouse. We were students, new to California and poetry. My sister had a paperback copy of Raymond Carver's Cathedral, which we'd both read with youthful admiration. We knew vaguely that he'd died, but didn't really understand the full force of his fame or talent until we unwittingly went to see his widow read.

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