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P. Sainath, Indian Journalist Writes from the Heart

Indian journalist Palagummi Sainath has won the 2007 Ramon Magsaysay award for journalism. The awards were established in 1957 to honor the third Philippine president, and are described as the "Nobel Prize of Asia." Recognition, honor and respect are at the heart of everything Sainath does. He's the rural affairs editor of national newspaper, The Hindu, and is its Mumbai bureau chief. He's famed for bearing witness to the plight of India's poor farmers, his sharp and insistent reporting giving a voice and identity to people who are usually only anonymously grouped together as statistics.

There have been around 11,500 farmer suicides in the last six years. Sainath writes movingly of the world of these farmers in a story from September of last year:

“Something very fundamental is happening. The central, driving factors behind the suicides remain the same. Rising debt, soaring input costs, plummeting output prices, a credit crunch and so on. But the outcome now adds up to more than just the sum total of these factors. After 15 years of a battering from hostile policies and governments, the world of the peasant has turned highly fragile. Problems that would not have driven many to suicide a decade ago do so now. It takes less to push farmers over the edge because their resistance is down. So fragile is their economy and equilibrium. The studies and surveys seldom account for one vital actor — the worldview of peasants. How that is changing as their links to the land erode. How their hopes of what’s possible are constantly dashed. How, losing their anchor, they drift to a frightening future. How it feels to watch your child drop out of school or college because education has become too expensive. Even as your daughter’s marriage is off, because you cannot afford it. You fail to get your ailing mother to a hospital because health is the most costly thing in your world. All this while agriculture itself is tanking. And there’s less food on the table. For too many, pessimism soaks the worldview this shapes. And despair gains ground as the coming deity."

But he also reports on those who prepare reports on the farmers, and in the same story writes of a study carried out in the Vidarbha region.

"Teams of psychologists, revenue officials and doctors went out to Vidarbha's villages from as early as 2004. To counsel the poor, disturbed souls. In one village, an old farmer greatly embarrassed such a team: "You've given us fine advice on so many things. On coping with stress, curbing our drinking, not fighting with our wives and so on. And you've asked us so many good questions, too. Now ask us one more. Ask us why farmers, who produce the nation's food, are starving. Ask us why the children of those who grow your food, are starving." The team remained silent. Some of the learned - and well-meaning - team members had been to great medical colleges. And one of the first principles they learned there is sound. "What the mind does not know, the eye cannot observe." Very true. But the old farmer was posing a larger point before society as a whole, not just to the doctors. What the heart does not feel, the eye can never see."

This book offers a poignant and jarring reminder not just of the resilience of the human spirit, but also of its ability to seek solace in the materiality of one's present.

Marcelino Truong launched his autobiographical account of growing up in Saigon during the Vietnam War with the acclaimed graphic novel Such a Lovely Little War: Saigon 1961-63, originally published in French in 2012 and in English translation in 2016. That book concluded with his family's permanent relocation to London, England, as the chaos and bloodshed back home intensified.

Now Truong continues the tale with Saigon Calling: London 1963-75 (originally published in French in 2015), which follows the experiences of his family after they seek refuge in Europe. It offers a poignant illustration of what life was like for a family of refugees from the war, and from the perspective of young children (granted, Truong's family were a privileged and upper class set of refugees, well-connected with South Vietnamese and European elites). While relatives and friends struggle to survive amid the bombs and street warfare of Vietnam, the displaced narrator and his siblings find their attention consumed by the latest fashion and music trends in London. The book offers a poignant and jarring reminder not just of the resilience of the human spirit, but also of its ability to seek solace in the materiality of one's present.

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Music

The World of Captain Beefheart: An Interview with Gary Lucas and Nona Hendryx

Gary Lucas and Nona Hendryx (photo © Michael DelSol courtesy of Howlin' Wuelf Media)

Guitarist and band leader Gary Lucas and veteran vocalist Nona Hendryx pay tribute to one of rock's originals in this interview with PopMatters.

From the opening bars of "Suction Prints", we knew we had entered The World of Captain Beefheart and that was exactly where we wanted to be. There it was, that unmistakable fast 'n bulbous sound, the sudden shifts of meter and tempo, the slithery and stinging slide guitar in tandem with propulsive bass, the polyrhythmic drumming giving the music a swing unlike any other rock band.

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From Haircut 100 to his own modern pop stylings, Nick Heyward is loving this new phase of his career, experimenting with genre with the giddy glee of a true pop music nerd.

In 1982, Nick Heyward was a major star in the UK.

As the leader of pop sensations Haircut 100, he found himself loved by every teenage girl in the land. It's easy to see why, as Haircut 100 were a group of chaps so wholesome, they could have stepped from the pages of Lisa Simpson's "Non-Threatening Boys" magazine. They resembled a Benetton knitwear advert and played a type of quirky, pop-funk that propelled them into every transistor radio in Great Britain.

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Blending a dazzling array of musical influences and directions for more than two decades now, Thievery Corporation have come to represent one of the 21st century's boldest bands in both genre-blending style and lyrical impact.

The Halloween season is in full effect on this crisp Sunday evening in San Francisco that precedes All Hallows Eve by two days. With the traditional holiday falling on a Tuesday, music fans are out for as much costumed fun as they can get as evidenced by the costumed revelers here at the Masonic in the Nob Hill area. Thievery Corporation is in town, and the Bay Area "thieves" as the band's fans are known are ready to let it all hang out with one of the few bands in the music industry that isn't shy on telling listeners the truth about what's going on in the world.

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Despite the uninspired packaging in this complete series set, Friday Night Lights remains an outstanding TV show; one of the best in the current golden age of television.

There are few series that have earned such universal acclaim as Friday Night Lights (2006-2011). This show unreservedly deserves the praise -- and the well-earned Emmy. Ostensibly about a high school football team in Dillon, Texas—headed by a brand new coach—the series is more about community than sports. Though there's certainly plenty of football-related storylines, the heart of the show is the Taylor family, their personal relationships, and the relationships of those around them.

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