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Petroculture in Joni Mitchell and Carole King’s ‘Blue’ and ‘Tapestry’

Joni Mitchell’s Blue and Carole King’s Tapestry were fueled by petroculture, which powered the rise of feminism in music. How? Read on.

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Josh Friedberg / 22 June 2021

Furthermore, novelist Jamaica Kincaid directly ties tourism of formerly colonized nations such as her home country, Antigua, to European colonialism. She claims in A Small Place that colonialism devastated such countries so badly that these areas must now depend on tourism from outsiders to bring in revenue to rebuild their economies.

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TAGS blue carole king feature feminism gender joni mitchell music feature oil capitalism petroculture sexuality tapestry

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