Books

Re:Print welcomes 2008

Welcome back to Re:Print.

It's been a big week, yeah? I've spent much of it stifling at work, in an un-air-conditioned DVD shop, hating every single face that says to me: "Wow, it's hot in here!" Really? We hadn't noticed. And neither had the last 35 customers to sweat their way through the latest releases. Global warming is well and truly under way, and has landed smack on Australia. Here I am, 11.09pm on New Year's Day and the air blowing through my office window is filthy and hot. It stinks of dirty grass. No relief, not even at home, not even at midnight. Actually, the split-system in the living room is brilliant, but my partner refuses to let me move the computer next to the TV. So, here I am, and it's hot.

New Year's was a slow one. I spent it watching Wild Palms, of all things. Scouring the 'net today, though, I see a good time was had by most elsewhere in the universe. We heard fireworks going off, which excited me, until a little boy came into the shop this morning with a "Missing Dog" poster -- the terrier named Bonnie ran away in fear of those fireworks, apparently. So, there's that tradition ruined. Here's hoping Bonnie finds her way home safely. My pup, Fulci, feels her pain. He spent the noisy clock-turning under a blanket by the couch.

As always, my New Year's resolution is to "read more". I say it every year, and usually wind up reading roughly the same amount of books as the year before. With a new house, and a new library all set up and looking awesome in the other room, I've decided that even if I read the same amount of books as last year, I want some of them to be those steadily yellowing over there, that I already own. I'm toning down the book-buying, and digging through the existing stockpiles for new and exciting reads. I'll let you know how I go as the months progress. At the moment, I'm still knee-deep in movie tie-ins, with The Assassination of Jesse James... on the go now, and Death Sentence coming up next. I just finished Reservation Road by John Burnham Schwartz -- a quick read, horribly morbid and sad. Jesse James is proving a harder task -- Ron Hansen's language is true to the time period, and I'm wrapping my tongue around old west words more sluggishly than expected. After the movie books, it’s classics all the way. Well, long-standing shelf-dwellers, at any rate.

Here’s to a great 2008 in books. Myself and my co-blogger, Lara Killian, will be here to capture the highs and lows as we see them. For now, here are some articles to read to get you ready for Books '08:

Read all about the best books of 2007 set in New Jersey.

Who will be who in 2008 according to the Guardian.

Compare Ty Burr’s reading resolutions to your own, like this one:

Read at least one book that is not being adapted into a major motion picture. In 2007 I really enjoyed reading The Golden Compass and Atonement and No Country for Old Men and Persepolis and The Kite Runner (OK, the last one not so much). Was there anything else that came out last year? Can someone tell my wife I'll get around to The Omnivore's Dilemma when Cate Blanchett is signed to star in it?

Hmm, yes.

In the wake of Malcolm Young's passing, Jesse Fink, author of The Youngs: The Brothers Who Built AC/DC, offers up his top 10 AC/DC songs, each seasoned with a dash of backstory.

In the wake of Malcolm Young's passing, Jesse Fink, author of The Youngs: The Brothers Who Built AC/DC, offers up his top 10 AC/DC songs, each seasoned with a dash of backstory.

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Pauline Black may be called the Queen of Ska by some, but she insists she's not the only one, as Two-Tone legends the Selecter celebrate another stellar album in a career full of them.

Being commonly hailed as the "Queen" of a genre of music is no mean feat, but for Pauline Black, singer/songwriter of Two-Tone legends the Selecter and universally recognised "Queen of Ska", it is something she seems to take in her stride. "People can call you whatever they like," she tells PopMatters, "so I suppose it's better that they call you something really good!"

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Morrison's prose is so engaging and welcoming that it's easy to miss the irreconcilable ambiguities that are set forth in her prose as ineluctable convictions.

It's a common enough gambit in science fiction. Humans come across a race of aliens that appear to be entirely alike and yet one group of said aliens subordinates the other, visiting violence upon their persons, denigrating them openly and without social or legal consequence, humiliating them at every turn. The humans inquire why certain of the aliens are subjected to such degradation when there are no discernible differences among the entire race of aliens, at least from the human point of view. The aliens then explain that the subordinated group all share some minor trait (say the left nostril is oh-so-slightly larger than the right while the "superior" group all have slightly enlarged right nostrils)—something thatm from the human vantage pointm is utterly ridiculous. This minor difference not only explains but, for the alien understanding, justifies the inequitable treatment, even the enslavement of the subordinate group. And there you have the quandary of Otherness in a nutshell.

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A 1996 classic, Shawn Colvin's album of mature pop is also one of best break-up albums, comparable lyrically and musically to Joni Mitchell's Hejira and Bob Dylan's Blood on the Tracks.

When pop-folksinger Shawn Colvin released A Few Small Repairs in 1996, the music world was ripe for an album of sharp, catchy songs by a female singer-songwriter. Lilith Fair, the tour for women in the music, would gross $16 million in 1997. Colvin would be a main stage artist in all three years of the tour, playing alongside Liz Phair, Suzanne Vega, Sheryl Crow, Sarah McLachlan, Meshell Ndegeocello, Joan Osborne, Lisa Loeb, Erykah Badu, and many others. Strong female artists were not only making great music (when were they not?) but also having bold success. Alanis Morissette's Jagged Little Pill preceded Colvin's fourth recording by just 16 months.

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Frank Miller locates our tragedy and warps it into his own brutal beauty.

In terms of continuity, the so-called promotion of this entry as Miller's “third" in the series is deceptively cryptic. Miller's mid-'80s limited series The Dark Knight Returns (or DKR) is a “Top 5 All-Time" graphic novel, if not easily “Top 3". His intertextual and metatextual themes resonated then as they do now, a reason this source material was “go to" for Christopher Nolan when he resurrected the franchise for Warner Bros. in the mid-00s. The sheer iconicity of DKR posits a seminal work in the artist's canon, which shares company with the likes of Sin City, 300, and an influential run on Daredevil, to name a few.

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