Lost Under Heaven's second album Love Hates What You Become emotionally confronts indifference in modern life, whether represented in political and social developments or environmental and societal collapse.
Divine Weeks' farewell record is for anyone who has ever raised a fist or lighter (or even a god-forbid cell-phone) at a rock and roll show, lost in the passion of the moment.
The follow-up to Martin's bestselling Primates of Park Avenue, Untrue, digs into recent scientific research and explains why monogamy may be a fool's errand.
As a piece of both cultural history and film history, David Byrne's True Stories takes its place alongside two other films from the mid-'80s that are also steeped in a surrealistic other-worldly place, Repo Man and Blue Velvet.
Although the Buzzcocks were a singles band, their overlooked second album, Love Bites (1978), is still a solid effort, and it sounds better than ever on this reissue.
Esteemed producer Toro y Moi takes on new, funkier sounds with Outer Peace, but none of them quite transcend the overblown promise of his early chillwave fame.
Duvivier's Panique, Mizoguchi's A Story from Chikamatsu, Kiarostami's 24 Frames, and May's Mikey and Nicky are now available on Blu-ray from Criterion. Here's what you have to look forward to.
With Aquinas and the Market, economist and theologian Mary L. Hirschfeld begins a necessary conversation between economic and theological sectors, in the academy and, one hopes, outside the ivory towers and seminaries, to calculate our ultimate worth.
Whether brooding and ghostly or defiant, eclectic, and rambunctious, Frances Cone's Late Riser is filled with melodious poeticisms and gripping arrangements.
The Twilight Sad's It Won/t Be Like This All the Timeis like all of us. It's bruised, lonely, confused yet hopeful. It feels more important than a collection of songs on a spinning disc.
