Introduction by Justin Cober-Lake - In part two, our writers embrace the current modes of shopping. Terry Sawyer finds his joy in shopping from his computer, looking at the wishes and habits of others even as he avoids them in person. David Medsker agrees; there's nowhere he can enjoy shopping, so he's staying home. Dave Dierksen, on the other hand, knows all of the pitfalls of shopping out in the physical world, but he savors the experience just the same. Finally, Brian James helps us understand why it's okay to be surrounded by these stacks of CD won through the diligent perseverence described by our other writers, and he's not just seeking solace in property or buying the time to listen to these albums.
NEGOTIATING THE DENSE AND BOORISH CLOTS, Or Shopping for Music | ||
:: | 22.Dec.04 | part two |
This PopMatters Special Feature Section edited by Justin Cober-Lake (PopMatters Music Special Sections Editor) | ||
Even amid the excitement, yesterday's articles had a bit of anxiety about them; devoted people were making the best of circumstances changing in ways they view as detrimental to their passions. Today's writers, on the other hand, embrace the current modes of shopping. Terry Sawyer finds his joy in shopping from his computer, looking at the wishes and habits of others even as he avoids them in person. David Medsker agrees; there's nowhere he can enjoy shopping, so he's staying home. Dave Dierksen, on the other hand, knows all of the pitfalls of shopping out in the physical world, but he savors the experience just the same. Brian James helps us understand why it's okay to be surrounded by these stacks of CD won through the diligent perseverence described by our other writers, and he's not just seeking solace in property or buying the time to listen to these albums. Finally, since we've decided it's okay to be buying all this music, Jason Thompson tells how to best go about doing so. As much as we want to elevate our love of music into a fully transcendant experience, we have to get the music somehow. Since we have to commodify our pleasure anyway, we might as well try to understand what that experience is all about. Then we can get back to our pure (and purifying) listening.    � Justin Cober-Lake, PopMatters Music Special Sections Editor |
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