Music

Sinistro - "Semente" (video) (premiere)

Mysterious, soundtrack-intensive Portuguese unit Sinistro offers video from upcoming album, Semente.

Portugal’s Sinistro delivers an eerie and beautifully unsettling track with “Semente", the title tune of the group’s upcoming full-length. A dark and unsettling music bed that summons memories of Antimatter, Portishead or Ulver’s stopover in the realm of motion picture soundtracks while vocalist Patricia Andrade evokes even more mystery with her seductive and deeply emotive voice.

The song is derived from an improvisation the band conducted in the final hours of the writing stages. Andrade improvised the lyrics and recorded three takes though the first, as it happened, was the one that made the album. Director José Dinis conceived the slow-motion sequence shot which took a little more effort to get right than the song itself, although the visual results are equally stunning.

"The best things in life are the simple ones,” Dinis says. “Some drops of light through a very short path, that we must enjoy and take everything we can out of them. This sequence was shot three times faster than the original tempo; it was an insane minute of filming, but it worked out smoothly in the end and I think it really works with the song’s feeling."

Having formed in 2012 the group (which is rounded out by members known only as F,Y,P and R), Sinistro carries members of Mourning Lenore, We Are the Damned and Besta in its ranks. Although that pedigree is impressive it does nothing to lessen the mystique surrounding Sinistro.

Sinistro tells PopMatters that "the last song to be composed for this album was the title-track 'Semente'. Patrícia's vocal part derives from an improvisation with ad lib lyrics. Three takes were recorded and in the end used the first one. Our director José Dinis came up with the concept and the idea of a slow motion sequence shot in a way that all light and camera work had to be choreographed. After a few trials we finally got it right."

The group releases Semente on April 8 with tour dates in France, Holland and, of course, Portugal to coincide with the street date. The album is available for pre-order now.

TRACK LIST

1. Partida

2. Estrada

3. Corpo Presente

4. Semente

5. Reliquia

6. A Visita

7. Fragmento

From genre-busting electronic music to new highs in the ever-evolving R&B scene, from hip-hop and Americana to rock and pop, 2017's music scenes bestowed an embarrassment of riches upon us.


60. White Hills - Stop Mute Defeat (Thrill Jockey)

White Hills epic '80s callback Stop Mute Defeat is a determined march against encroaching imperial darkness; their eyes boring into the shadows for danger but they're aware that blinding lights can kill and distort truth. From "Overlord's" dark stomp casting nets for totalitarian warnings to "Attack Mode", which roars in with the tribal certainty that we can survive the madness if we keep our wits, the record is a true and timely win for Dave W. and Ego Sensation. Martin Bisi and the poster band's mysterious but relevant cool make a great team and deliver one of their least psych yet most mind destroying records to date. Much like the first time you heard Joy Division or early Pigface, for example, you'll experience being startled at first before becoming addicted to the band's unique microcosm of dystopia that is simultaneously corrupting and seducing your ears. - Morgan Y. Evans

Keep reading... Show less

The year in song reflected the state of the world around us. Here are the 70 songs that spoke to us this year.

70. The Horrors - "Machine"

On their fifth album V, the Horrors expand on the bright, psychedelic territory they explored with Luminous, anchoring the ten new tracks with retro synths and guitar fuzz freakouts. "Machine" is the delicious outlier and the most vitriolic cut on the record, with Faris Badwan belting out accusations to the song's subject, who may even be us. The concept of alienation is nothing new, but here the Brits incorporate a beautiful metaphor of an insect trapped in amber as an illustration of the human caught within modernity. Whether our trappings are technological, psychological, or something else entirely makes the statement all the more chilling. - Tristan Kneschke

Keep reading... Show less
Culture

Net Neutrality and the Music Ecosystem: Defending the Last Mile

Still from Whiplash (2014) (Photo by Daniel McFadden - © Courtesy of Sundance Institute) (IMDB)

"...when the history books get written about this era, they'll show that the music community recognized the potential impacts and were strong leaders." An interview with Kevin Erickson of Future of Music Coalition.

Last week, the musician Phil Elverum, a.k.a. Mount Eerie, celebrated the fact that his album A Crow Looked at Me had been ranked #3 on the New York Times' Best of 2017 list. You might expect that high praise from the prestigious newspaper would result in a significant spike in album sales. In a tweet, Elverum divulged that since making the list, he'd sold…six. Six copies.

Keep reading... Show less

Under the lens of cultural and historical context, as well as understanding the reflective nature of popular culture, it's hard not to read this film as a cautionary tale about the limitations of isolationism.

I recently spoke to a class full of students about Plato's "Allegory of the Cave". Actually, I mentioned Plato's "Allegory of the Cave" by prefacing that I understood the likelihood that no one had read it. Fortunately, two students had, which brought mild temporary relief. In an effort to close the gap of understanding (perhaps more a canyon or uncanny valley) I made the popular quick comparison between Plato's often cited work and the Wachowski siblings' cinema spectacle, The Matrix. What I didn't anticipate in that moment was complete and utter dissociation observable in collective wide-eyed stares. Example by comparison lost. Not a single student in a class of undergraduates had partaken of The Matrix in all its Dystopic future shock and CGI kung fu technobabble philosophy. My muted response in that moment: Whoa!

Keep reading... Show less
Books

'The Art of Confession' Ties Together Threads of Performance

Allen Ginsberg and Robert Lowell at St. Mark's Church in New York City, 23 February 1977

Scholar Christopher Grobe crafts a series of individually satisfying case studies, then shows the strong threads between confessional poetry, performance art, and reality television, with stops along the way.

Tracing a thread from Robert Lowell to reality TV seems like an ominous task, and it is one that Christopher Grobe tackles by laying out several intertwining threads. The history of an idea, like confession, is only linear when we want to create a sensible structure, the "one damn thing after the next" that is the standing critique of creating historical accounts. The organization Grobe employs helps sensemaking.

Keep reading... Show less
9
Pop Ten
Mixed Media
PM Picks

© 1999-2017 Popmatters.com. All rights reserved.
Popmatters is wholly independently owned and operated.

rating-image