There's Still Much to Enjoy in 'Star Trek into Darkness'

Star Trek Into Darkness has never looked or sounded better than this new 4K UHD release, but it's hard to ignore that this is a big budget remake of Wrath of Khan.

Star Trek Into Darkness

Director: J.J. Abrams
Cast: Chris Pine, Zachary Quinto, Karl Urban, Zoe Saldana, Simon Pegg, Bruce Greenwood, Alice Eve, Peter Weller, Benedict Cumberbatch, Leonard Nimoy, Bill Hader, Heather Langenkamp, Chris Hemsworth, Jennifer Morrison, Noel Clarke, Alice Eve
Length: 131 minutes
Studio: Paramount
Year: 2013
Distributor: Paramount
MPAA Rating: PG-13
UK Release Date:
US Release Date: 2016-06-14

Star Trek Beyond (2016), the third installment in the Star Trek reboot series comes out in theaters soon. Paramount is cross-promoting the film with new re-releases of the other two films in the saga, Star Trek (2009) and Star Trek Into Darkness (2013) in glorious 4K Ultra HD editions. Those buying the new 4K Blu Ray discs will be twice as excited to see Star Trek Beyond and those excited about Star Trek Beyond are that much more likely to go out and buy the 4K Blu Rays.

However, even as the price of Blu Ray has gone down, this new format carries quite a price tag. Buying both re-releases will cost you almost $100., Luckily each package contains three discs with the final being a treasure trove of bonus features from documentaries to gag reels to promotional material.

However, much of this is retained from older releases, so the main draw for this expensive re-release is the film itself presented with never before seen or heard picture and sound in a home theater format.

How is the film itself? Well, much of the “baggage” of the "Star Trek" name with the recast characters and alternate timeline was dealt with in the 2009 reboot film, and while there are still some lingering issues for longtime fans, there's still much to enjoy in Star Trek Into Darkness.

The film is pretty spectacular, with enthralling action sequences and stellar special effects (when you can make them out through director J.J. Abrams’ omnipresent lens flares). The cast manages to be even better this time out, more comfortable in their skins (which used to belong to other actors) and very natural. While still set in an alternate timeline, more attention is paid here to the original saga to show that before the reality-altering time-travel event this was still the Star Trek that we knew and loved.

In this second film, the stakes are higher. Almost immediately Star Trek Into Darkness remedies one of the biggest issues left in the wake of the first film, that being Cadet James T. Kirk (Chris Pine) being immediately promoted from trainee to Captain of the Federation’s flagship. After a botched assignment, Kirk is stripped of his command and sent back to Starfleet Academy because he is, as we already know, not ready yet. After a (somewhat heavy-handed and metaphorical) terrorist attack, however, Kirk, Spock (Zachary Quinto) and the perfectly cast Dr. McCoy (Karl Urban) are back on the Enterprise, chasing after the film’s main villain.

If it was ever a spoiler to reveal that this villain is actually the original saga’s “Khan”, that time has passed (the 4K release prints this fact right there on the box). However, it was a surprise to many to see that Khan, a Sikh superman, as established in the original series, is now played by lily white Englishman Benedict Cumberbatch. While Cumberbatch is a capable actor who gives an appropriately menacing performance as Khan Noonien Singh, it’s hard to ignore the fact that this Indian character (originally brought to life by Ricardo Montalban), is being played by a lily white Englishman. They even give him a white guy’s name as a disguise: John Harrison.

(Note: Yes, I realize that Ricardo Gonzalo Pedro Montalbán y Merino was not an Indian, but a Mexican actor himself, in this time when actors of color are having a harder time getting work, whitewashing this role is a notable indiscretion. The same sensitivity seemed to have gone into Alice Eve’s ill-advised bra and panties scene, shoved in haphazardly for gratuity’s sake.)

Along the way we get our first looks at the rebooted Klingons, a few huge surprises and a very exciting plot. While logic and mystery do often take a back seat to the more popcorn-oriented commercial elements that Paramount demanded for the new series, the cast and crew do take more pains to hew closer to the original formula here and action never quite takes the place of thought.

However, once the cat is officially out of the bag that this is a retelling of the story of Khan, the film quickly morphs into a virtual remake of Star Trek II: The Wrath of Khan (1982). From that point forward the film becomes predictable and the plot becomes less a case of “what will happen” and more a question of how the same things will happen and to which largely interchangeable character.

To an extent, this is the exact approach Abrams would employ two years later at the helm of Star Wars: The Force Awakens (2015) which, if you search your feelings, Luke, is very much a remake of Star Wars (1977). However, like Star Wars: The Force Awakens, Star Trek Into Darkness manages to rise above its derivative elements to become a pretty damned good movie and a hell of a lot of fun, to boot.

With the 4K Ultra HD treatment Star Trek Into Darkness has never looked or sounded better and with the extras included here, you’ve got one of the very best Star Trek packages ever released; the film and the extras are high quality and the disc collection is excellent. However the price tag of almost $50 would give even staunch collectors pause.







Greta Gerwig's Adaptation of Loneliness in Louisa May Alcott's 'Little Women'

Greta Gerwig's film adaptation of Louisa May Alcott's classic novel Little Women strays from the dominating theme of existential loneliness.


The Band's Discontented Third LP, 1970's 'Stage Fright', Represented a World Braving Calamity

Released 50 years ago this month, the Band's Stage Fright remains a marker of cultural unrest not yet remedied.


Natalie Schlabs Starts Living the Lifetime Dream With "That Early Love" (premiere + interview)

Unleashing the power of love with a new single and music video premiere, Natalie Schlabs is hoping to spread the word while letting her striking voice be heard ahead of Don't Look Too Close, the full-length album she will release in October.


Rufus Wainwright Makes a Welcome Return to Pop with 'Unfollow the Rules'

Rufus Wainwright has done Judy Garland, Shakespeare, and opera, so now it's time for Rufus to rediscover Rufus on Unfollow the Rules.


Jazz's Denny Zeitlin and Trio Get Adventurous on 'Live at Mezzrow'

West Coast pianist Denny Zeitlin creates a classic and adventurous live set with his long-standing trio featuring Buster Williams and Matt Wilson on Live at Mezzrow.


The Inescapable Violence in Netflix's I'm No Longer Here (Ya no estoy aqui)

Fernando Frías de la Parra's I'm No Longer Here (Ya no estoy aqui) is part of a growing body of Latin American social realist films that show how creativity can serve a means of survival in tough circumstances.


Arlo McKinley's Confessional Country/Folk Is Superb on 'Die Midwestern'

Country/folk singer-songwriter Arlo McKinley's debut Die Midwestern marries painful honesty with solid melodies and strong arrangements.


Viserra Combine Guitar Heroics and Female Vocals on 'Siren Star'

If you ever thought 2000s hard rock needed more guitar leads and solos, Viserra have you covered with Siren Star.


Ryan Hamilton & The Harlequin Ghosts Honor Their Favorite Songs With "Oh No" (premiere)

Ryan Hamilton's "Oh No" features guest vocals from Kay Hanley of Letters to Cleo, and appears on Nowhere to Go But Everywhere out 18 September.


Songwriter Shelly Peiken Revisits "Bitch" for '2.0' Album (premiere)

A monster hit for Meredith Brooks in the late 1990s, "Bitch" gets a new lease on life from its co-creator, Shelly Peiken. "It's a bit moodier than the original but it touts the same universal message," she says.


Leila Sunier Delivers Stunning Preface to New EP via "Sober/Without" (premiere)

With influences ranging from Angel Olsen to Joni Mitchell and Perfume Genius, Leila Sunier demonstrates her compositional prowess on the new single, "Sober/Without".


Speed the Plough Members Team with Mayssa Jallad for "Rush Hour" (premiere)

Caught in a pandemic, Speed the Plough's Baumgartners turned to a faraway musical friend for a collaboration on "Rush Hour" that speaks to the strife and circumstance of our time.


Great Peacock Stares Down Mortality With "High Wind" (premiere + interview)

Southern rock's Great Peacock offer up a tune that vocalist Andrew Nelson says encompasses their upcoming LP's themes. "You are going to die one day. You can't stop the negative things life throws at you from happening. But, you can make the most of it."


The 80 Best Albums of 2015

Travel back five years ago when the release calendar was rife with stellar albums. 2015 offered such an embarrassment of musical riches, that we selected 80 albums as best of the year.


Buridan's Ass and the Problem of Free Will in John Sturges' 'The Great Escape'

Escape in John Sturge's The Great Escape is a tactical mission, a way to remain in the war despite having been taken out of it. Free Will is complicated.


The Redemption of Elton John's 'Blue Moves'

Once reviled as bloated and pretentious, Elton John's 1976 album Blue Moves, is one of his masterpieces, argues author Matthew Restall in the latest installment of the 33 1/3 series.


Whitney Take a Master Class on 'Candid'

Although covers albums are usually signs of trouble, Whitney's Candid is a surprisingly inspired release, with a song selection that's eclectic and often obscure.


King Buzzo Continues His Reign with 'Gift of Sacrifice'

King Buzzo's collaboration with Mr. Bungle/Fantômas bassist Trevor Dunn expands the sound of Buzz Osborne's solo oeuvre on Gift of Sacrifice.

Collapse Expand Reviews

Collapse Expand Features
PM Picks
Collapse Expand Pm Picks

© 1999-2020 All rights reserved.
PopMatters is wholly independent, women-owned and operated.