Music

Stephanie Says: Sex, Socialism, and the Seaside

Hunter Felt

In her latest project, Stephanie Winter, formerly of the Legendary Jim Ruiz Group, captures the essence of a melancholy stroll by an English seaside.


Stephanie Says

Sex, Socialism, and the Seaside

Label: Grimsey
US Release Date: 2004-11-16
UK Release Date: Available as import
Amazon
iTunes

"Stephanie Says", of course, was one of the Velvet Underground's greatest songs, arguably their most affecting ballad, a tale of clinical depression bathed with an almost baroque beauty. Stephanie Says is the new solo project from singer Stephanie Winter, formerly of the Legendary Jim Ruiz Group and current Autumn Leaf. Unlike all those Syd Barrett fans who got misled by the Gigolo Aunts, Velvet Underground fans who stumble upon Sex, Socialism, and the Seaside will find that Stephanie Says actually does carry on the hazy melancholy sound of "Stephanie Says", albeit while working in a radically different genre.

Winter seems on the fence about whether she'd a) rather go back in time to the '60s and become a French chanteuse or b) rather go back in time to the '60s and sing in a bossa nova band. Instead, she combines the two gentle styles, backed up by various friends including the bulk of the Autumn Leaves. Not that Sex, Socialism, and the Seaside sounds like a huge collaborative effort. Winter's breathy vocals and spare guitar work are always in the foreground, and her production work makes sure that emphasis is placed on both the notes and the silences between the notes. The openness of the production is crucial for the album's success, as the album succeeds more on the strength of its breezy yet sorrowful atmosphere rather than on the strength of its songs.

It's not that Winter is a poor songwriter, "Another Time", for instance, is a sweet-and-bitter tale of an uncertain relationship, where intentionally clumsy lines suggest the tenuous nature of the love affair: "You know I love you / Because I told you". "England" smartly reworks the "I do love to be beside the seaside" shanty into the chorus of a shimmering indie-pop song dedicated to celebrating the joys of the English lifestyle, including free health care (this would be part of the "socialism" theme, I'm guessing). There is nothing wrong with the quality of the songs except that the songs are not quite the point with the style of indie-nova (hey, I'm a music critic I have to label it something) that Stephanie Says specializes in.

Stephanie Says produces pure melancholic atmosphere, and sharper hooks or tighter songs would only detract from this mood. Instead, hooks are buried deep within the music, carrying its listeners just as far along as the next track. The songs never linger too long, usually hovering a little past the three minute mark, and tend to pleasantly blend into each other. The album floats by like a lazy Sunday, where else, on the beach: the time passes much too quickly, and you can't remember if anything particularly exciting happened, but you do know that the time was pleasurably spent.

Unfortunately, the album's breezy nature is its strength and its weakness. Sex, Socialism, and the Seaside by its own nature, cannot be anything more than a pleasant diversion. It is not an album that will demand to be listened to, it is more of a situational album. Living in Florida, I can tell you that lounging on the beach all day can grow into a stale routine. Stephanie Says's debut is a thirty minute tranquilizer, or the soundtrack for a moment of wistful brooding, but its ambitions go no higher than that. In fact, if Winter did have grander ambitions, the album probably would have lost the languid appeal that makes it a good listen.

Stephane Says is ultimately a side project, although a fruitful one, and, taken as such, it is a phenomenal success. Winter's breezy voice comes from some timeless era, evoking the past while remaining firmly in the presence, and she manages to link indie-pop with bossa nova in a charming and novel way. It won't radically effect your life, but, then again, neither will a day by the sea.

6
Music


Books


Film


Recent
Music

The 60 Best Albums of 2007

From tech house to Radiohead and Americana to indie and everything in between, the 60 best albums of 2007 included many of the 2000s' best albums.

Love in the Time of Coronavirus

Solitude Stands in the Window: Thoreau's 'Walden'

Henry David Thoreau's Walden as a 19th century model for 21st century COVID-19 quarantine.

Love in the Time of Coronavirus

Will COVID-19 Kill Movie Theaters?

Streaming services and large TV screens have really hurt movie theaters and now the coronavirus pandemic has shuttered multiplexes and arthouses. The author of The Perils of Moviegoing in America, however, is optimistic.

Gary D. Rhodes, Ph.D
Television

Fleabag's Hot Priest and Love as Longing

In season two of Fleabag, The Priest's inaccessibility turns him into a sort of god, powerful enough for Fleabag to suddenly find herself spending hours in church with no religious motivation.

Music

Annabelle's Curse's 'Vast Oceans' Meditates on a Groundswell of Human Emotions (premiere)

Inspired by love and life, and of persistent present-day issues, indie folk band Annabelle's Curse expand their sound while keeping the emotive core of their work with Vast Oceans.

Music

Americana's Sarah Peacock Finds Beauty Beneath Surface With "Mojave" (premiere + interview)

Born from personal pain, "Mojave" is evidence of Sarah Peacock's perseverance and resilience. "When we go through some of the dry seasons in our life, when we do the most growing, is often when we're in pain. It's a reminder of how alive you really are", she says.

Television

Power Struggle in Beauty Pageants: On 'Mrs. America' and 'Miss Americana'

Television min-series Mrs. America and Taylor Swift documentary Miss Americana make vivid how beauty pageants are more multi-dimensional than many assume, offering a platform to some (attractive) women to pursue higher education, politics, and more.

Hilary Levey Friedman
Music

Pere Ubu 'Comes Alive' on Their New, Live Album

David Thomas guides another version of Pere Ubu through a selection of material from their early years, dusting off the "hits" and throwing new light on some forgotten gems.

Music

Woods Explore Darkness on 'Strange to Explain'

Folk rock's Woods create a superb new album, Strange to Explain, that mines the subconscious in search of answers to life's unsettling realities.

Music

The 1975's 'Notes on a Conditional Form' Is Laudably Thought-Provoking and Thrilling

The 1975 follow A Brief Inquiry... with an even more intriguing, sprawling, and chameleonic song suite. Notes on a Conditional Form shows a level of unquenchable ambition, creativity, and outspoken curiosity that's rarely felt in popular music today.

Music

Dustbowl Revival's "Queen Quarantine (A Home Recording)" Is a Cheeky Reproach of COVID-19 (premiere)

Inspired by John Prine, Dustbowl Revival's latest single, "Queen Quarantine (A Home Recording)", approaches the COVID-19 pandemic with wit and good humor.

Books

The 2020 US Presidential Election Is Going to Be Wild but We've Seen Wild Before

Americans are approaching a historical US presidential election in unprecedented times. Or are they? Chris Barsanti's The Ballot Box: 10 Presidential Elections That Changed American History gives us a brief historical perspective.

Reviews
Collapse Expand Reviews

Features
Collapse Expand Features
PM Picks
Collapse Expand Pm Picks

© 1999-2020 PopMatters.com. All rights reserved.
PopMatters is wholly independent, women-owned and operated.