
How Nirvana Destroyed Rock’s Toxic Masculinity
Nirvana’s Kurt Cobain despised rock music’s posturing machismo, mocked its fundamental assumptions, and then utterly destroyed the genre.

Nirvana’s Kurt Cobain despised rock music’s posturing machismo, mocked its fundamental assumptions, and then utterly destroyed the genre.

Sophie Gilbert’s critique of misogyny in the 1990s and 2000s, Girl on Girl, would be disheartening but for the iconoclastic and subversive feminist artists in pop culture.

Lollapalooza dragged alternative culture into the sunlight, created a safe space with Mötley Crüe-level hedonism, and became an artifact that will never be replicated.

Stephen Deusner’s entry in the 33 1/3 series about the wreckage of Garth Brooks’ ‘The Life of Chris Gains project makes for a mightily entertaining read.

Tanya Pearson’s Pretend We’re Dead is both hopeful and challenging, and proves that the spirit of 1990s women in rock music is still alive and fighting.

This excerpt from the forthcoming book, Why Alanis Morissette Matters leaves a most righteous “trail of carnage” in its wake.

Three-piece UK band Goya Dress specialized in stylishly baroque Sturm und Drang rock; dizzying Märchens sated with the drama of a Francisco Goya painting.


