The Passion of Garth Brooks
Stephen Deusner’s entry in the 33 1/3 series about the wreckage of Garth Brooks’ ‘The Life of Chris Gains project makes for a mightily entertaining read.
Stephen Deusner’s entry in the 33 1/3 series about the wreckage of Garth Brooks’ ‘The Life of Chris Gains project makes for a mightily entertaining read.
Tanya Pearson’s Pretend We’re Dead is both hopeful and challenging, and proves that the spirit of 1990s women in rock music is still alive and fighting.
This excerpt from the forthcoming book, Why Alanis Morissette Matters leaves a most righteous “trail of carnage” in its wake.
Three-piece UK band Goya Dress specialized in stylishly baroque Sturm und Drang rock; dizzying Märchens sated with the drama of a Francisco Goya painting.

From pivotal, iconic venues in New York and California and the ubiquity of the house show, to the dramatic, intentional divorce from the highly lucrative hardcore/metal crossover scene, 1991 saw numerous DIY punk rock groups reinterpret a 14-year-old subculture with new and urgent relevance.

The 20th anniversary release of Doug Pray’s 1990s Seattle music scene, Hype!, confirms its place in the pantheon of great music documentaries.
No matter what Soundgarden’s Chris Cornell did, there was always the sense that he was doing what he wanted.
Console Wars prose is often cripplingly simplistic, and its hard to trust in its interpretation of primary material.