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Lost Classic Or Self-Indulgent Folly? Gene Clark's 'No Other' Redefines Country Rock

A flop in 1974, but now looked on as one of popular music's finest albums, does this expansive 4AD reworking of Gene Clark's No Other confirm its greatness, or reveal a case of the emperor's new clothes?

Music

Pixx's 'Small Mercies' Is Strange Yet Endearing

Despite the mostly upbeat nature of Pixx's Small Mercies, there's a dread surrounding its world.

Music

The National's 'I Am Easy to Find' Is a Tangle of Beautiful, Messy Humanity

The National's eighth album is not as easy to locate or to live with, as its title suggests, but it contains passages of sublime beauty and grace.

Music

Deerhunter's Transcendent Trajectory

Deerhunter's Why Hasn't Everything Already Disappeared? and Cryptograms are antithetical twins -- shattered mirror images, whose fragments echo each other and reflect Deerhunter's beginnings of and return to inspired experimentation.

Music

Big Thief's 'U.F.O.F.' Embraces the Unknown and the Unknowable

Big Thief's third album U.F.O.F. is a sublime odyssey where the journey blithely overshadows the destination. U.F.O.F. is an almost perfect album.

Music

Beirut Returns with Another Exquisite World Music Experiment in 'Gallipoli'

On Gallipoli, Beirut bridges indie music with traditional world music elements, creating a work of somber beauty.

Music

The Lemon Twigs Have Written a Rites of Passage Musical About a Chimp

On Go to School, the Lemon Twigs have taken a lot of what made the first part of the 1970's vibrant and colorful and fascinating and applied those things to a contemporary work.

Reviews

tUnE-yArDs Dial Back Their World Sound on 'I Can Feel You Creep Into My Private Life'

New England duo tUnE-yArDs shoot for a more accessible sound on their fourth studio album, I Can Feel You Creep Into My Private Life.

Music

Methyl Ethel: Everything Is Forgotten

Methyl Ethel might not forge anything very unique in their introspection, yet their power to possess still manages to yield results.

Music

Various Artists: Day of the Dead

Aaron and Bryce Dessner have masterfully assembled a dizzying array of contemporary artists to reinterpret the songs of the Grateful Dead.

Music

The Curious Art of Wrapping Music

With the 'gratuity' of music fostered by digital ubiquity came a renewed, exacting demand for magic artefacts.

Music

Camera Obscura: 4AD Session

There simply isn't enough to make this installment in the 4AD Session series more than just a mild curiosity.

Music

Now Hear This!: Stornoway - 'Tales from Terra Firma' (US album premiere)

PopMatters is pleased to present the U.S. premiere on Stornoway's latest album, Tales from Terra Firma.

Music

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A flop in 1974, but now looked on as one of popular music's finest albums, does this expansive 4AD reworking of Gene Clark's No Other confirm its greatness, or reveal a case of the emperor's new clothes?

Despite the mostly upbeat nature of Pixx's Small Mercies, there's a dread surrounding its world.

The National's eighth album is not as easy to locate or to live with, as its title suggests, but it contains passages of sublime beauty and grace.

Deerhunter's Why Hasn't Everything Already Disappeared? and Cryptograms are antithetical twins -- shattered mirror images, whose fragments echo each other and reflect Deerhunter's beginnings of and return to inspired experimentation.

Big Thief's third album U.F.O.F. is a sublime odyssey where the journey blithely overshadows the destination. U.F.O.F. is an almost perfect album.

On Gallipoli, Beirut bridges indie music with traditional world music elements, creating a work of somber beauty.

On Go to School, the Lemon Twigs have taken a lot of what made the first part of the 1970's vibrant and colorful and fascinating and applied those things to a contemporary work.

New England duo tUnE-yArDs shoot for a more accessible sound on their fourth studio album, I Can Feel You Creep Into My Private Life.

Methyl Ethel might not forge anything very unique in their introspection, yet their power to possess still manages to yield results.

Aaron and Bryce Dessner have masterfully assembled a dizzying array of contemporary artists to reinterpret the songs of the Grateful Dead.

With the 'gratuity' of music fostered by digital ubiquity came a renewed, exacting demand for magic artefacts.

There simply isn't enough to make this installment in the 4AD Session series more than just a mild curiosity.

Dreary, sweet, sci-fi and twee.

inc.’s no world is an electronic-leaning album with indie credentials.

PopMatters is pleased to present the U.S. premiere on Stornoway's latest album, Tales from Terra Firma.

UK DJ offers up a sampling of outtakes.