Adrianne Lenker’s ‘Bright Future’ Is a Big Record
On Bright Future, Big Thief’s Adrianne Lenker proves how much you can do with so little that you don’t need a ton of flash to craft a stunning record.
On Bright Future, Big Thief’s Adrianne Lenker proves how much you can do with so little that you don’t need a ton of flash to craft a stunning record.
Delayed a year due to Covid, the 30th anniversary re-release of In Ribbons by Pale Saints last October is a reminder of how expansive shoegaze can be.
In Bless This Mess, U.S. Girls identify funk and R&B grooves as conduits for the very pulse of life. It’s brilliantly conceived and executed.
Continuing to blend hip-hop and indie rock, Bartees Strange charts a musically agile, emotionally-charged journey through his psyche on Farm to Table.
The songs on Jenny Hval’s latest album, Classic Objects, are purposely dreamlike and intended to inspire her audience’s reveries. Hval succeeds in creating a dreamlike state.
Big Thief’s dazzling new record sees the foursome dabbling in a plethora of folk-based styles and coming out sounding like no one but themselves.
On Helado Negro’s Far In, Robert Carlos Lange uses electric piano, drums, and lush textures to craft boundless dreamscapes worth inhabiting.
Tune-Yards’ sketchy conceptually asks a lot of its listeners and does it right up front: should the purpose of music be to entertain or to instruct?
Future Islands' sixth album, As Long As You Are, is more of the same -- deeply confessional synthpop -- and that's a beautiful thing.
The Lemon Twigs' influences and tastes run deep, and Songs for the General Public shows that they can wrap all these ideas into a beautiful, oddly consistent package.
Meghan Remy's experimental pop project U.S. Girls ventures into more mainstream territory to mixed results on Heavy Light.
Straining to be heard over the noise of a 1,000 over-effected electric guitars, are Pale Saints the lost champions of shoegaze?