Dylan LeBlanc’s ‘Coyote’ Has No Regrets
Dylan LeBlanc’s Coyote is suspenseful because the listener can sympathize with its main character and still wonder if he is a monster of his own making.
Dylan LeBlanc’s Coyote is suspenseful because the listener can sympathize with its main character and still wonder if he is a monster of his own making.
Old Crow Medicine Show have never really changed their old-timey style and show that keeping one’s roots exposed in the musical world can be a smart decision.
Amanda Shires and Bobbie Nelson’s Loving You is a tribute to their talents and essential listening for piano-based country music fans and Americana listeners.
The new Altın Gün album Aşk makes it clear where they are headed: back to their retro roots, bringing forth the sounds of classic 1970s Anatolian rock.
Okkervil River’s Will Sheff sounds like someone shrugging off burdens, his music built on steady patience and willingness for difficult but freeing reflection.
Emotionally Amanda Shires’ Take It Like a Man interlaces heartache and disappointment with the profoundly temporal joys of new beginnings and aches of desire.
Drive-By Truckers’ Welcome 2 Club XIII is more introspective and subdued than the previous raw, unfiltered laments and analyses of American culture.
On My Morning Jacket, Jim James sifts through perceptions about technology and nature, offering a treatment for getting washed away by modernity.
Yol proves Altın Gün’s versatility, reassuring listeners that the group can walk down many paths and still take us on a fabulous trip.
Whereas My Morning Jacket's The Waterfall contemplated conflict, The Waterfall II identifies healing and personal transformation as the next stage of being.
The years have fallen quite well upon Old 97's as Twelfth stands out as masterful even among their stacked discography.
South African folk master Vusi Mahlasela pays tribute to his home and family with township music on live album, Shebeen Queen.