Recent
Film

Hitchcock 101: Day Six, 1948 - 1954

In this sixth installment of our overview of Hitchcock’s oeuvre, we take a look at his most divisive period -- a string of wildly inconsistent material ranging from masterpieces to films we didn’t even bother reviewing.

Film

Hitchcock 101: Day Five, 1944 - 1946

Three films of the mid-1940s found Hitchcock in an experimental mode. One takes place entirely in a small boat, another explores the idea of the psychedelic, and the third stretches out into the territory of film noir, while animating the post-war sense of global interconnectedness that presaged the Cold War.

Film

The Puppeteer of Suspense

No one likes being toyed with, but Hitchcock makes it clear that he is in control; he is directing us, influencing how we think and react to the situation at hand -- and we love him for it.

David Charpentier
Film

Hitchcock 101: Day Four, 1941 - 1943

As the war in Europe raged, Hitchcock remained in the relative safety of his adopted home far from the bombs that rocked his home country, but Hitch put together a series of fascinating movies dealing with themes of betrayal, paranoia, deceit, and the creeping horror of doubt.

Film

Hitchcock 101: Day Three, 1940 - 1941

New to Hollywood, it didn’t take long for Hitchcock to master his surroundings, winning the Best Picture Oscar with his first American film. Then, it was on to a series of iffy studio experiments, including perhaps the most bizarre entry in his oeuvre, a screwball comedy starring Carole Lombard!

Reviews
Features
PM Picks
Pop Ten

© 1999-2020 Popmatters.com. All rights reserved.
Popmatters is wholly independently owned and operated.