More apt than Dr. Frankenstein, Gaar built a fairly smooth-running monster out of the many gray areas of Hendrix's life and work, cross-stitched with stuff mined from archival flotsam and jetsam of the Seattle scene, and coated it in the heavy-hitting velvet armor of a fabulous bit of cover art.
Blake's illuminated prints and poetic songs of soft innocence and apocalyptic experience influenced the post-WWII generation of American artists, musicians, and counter-culture leaders such as Allen Ginsberg, Jim Morrison, and Bob Dylan.
White collared conservative flashing down the street, pointing their plastic fingers at me. They're hoping soon my kind will drop and die, but I'm gonna wave my freak flag high, high—listening to the 130th acclaimed album of all time.
This 1968 album of psychedelic rock and folksy poetry became a collector's item due to its rarity and long list of celebrity contributors. What happens when you strip away that mystique with a reissue?